The Sleeping Beauty is perhaps the Ugly Duckling of Tchaikovsky’s three ballets. It was the second in the trilogy, completed in 1889, but has neither the dramatic thrust of Swan Lake nor the calorific sugar-coated charm of The Nutcracker in terms of popular appeal.
If the famous fairy variations in the Prologue can sometimes expose weaknesses, NYCB proved that it excels in pure classical ballet and not only in the neo-classical repertory.
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