| Samstag 10 April 2027 | 11:00 |
| Samstag 17 April 2027 | 11:00 |
| Sonntag 25 April 2027 | 11:00 |
| Rossini, Gioachino (1792-1868) | Il barbiere di Siviglia (Der Barbier von Sevilla) | Libretto von Cesare Sterbini |
| Hungarian State Opera | ||
| Sámuel Csaba Tóth | Musikalische Leitung | |
| Csaba Káel | Regie | |
| Éva Szendrényi | Bühnenbild | |
| Anikó Németh | Kostüme | |
| Hungarian State Opera Orchestra | ||
| Hungarian State Opera Chorus | ||
| Istvan Horvath | Tenor | Graf Almaviva |
| András Kiss | Bariton | Dr Bartolo |
| Laura Topolánszky | Sopran | Rosina |
| Zsolt Haja | Bariton | Figaro |
| László Szvétek | Bass | Don Basilio |
| Mária Farkasréti | Sopran | Berta |
| Gergely Halász | Bariton | Offizier |
It is safe to say that one of the most beloved and most performed works in the comic opera genre is Gioachino Rossini's Il barbiere di Siviglia. Thus, it cannot be missing from the OPERA repertoire. In the revival of his previous staging, which was originally performed in Szombathely in the summer of 2016 and then at Müpa Budapest, Csaba Káel director, who has already entertained audiences of the OPERA with numerous other productions, places this work in the silent film era, magnifying the humorous situations in a lighter and endlessly witty musical setting. The production also seeks to dust off the centuries-old traditions of performance and to present the opera in its original freshness.

