Salzburg Festival: Maurizio Pollini's piano recital a contrasting evening

Von Benedetta Saglietti, 19 August 2013

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Großes Festspielhaus, Salzburg, am 17 August 2013

Schumann, Kreisleriana, Op.16

Schumann, Klaviersonate Nr. 3 in f-Moll, Op.14

Chopin, Klaviersonate Nr. 2 b-Moll, Op.35

Chopin, Berceuse Des-Dur, Op.57

Chopin, Polonaise no. 6 in A flat major, "Heroic," Op.53

Maurizio Pollini, Klavier

Musikalischer Orkan: Die Staatskapelle Berlin in der Philharmonie

Henriette Schwarz, 5th October

Nicht nur draußen war es turbulent: Die Staatskapelle und Maurizio Pollini entfesselten unter Daniel Barenboim mit ihrer überzeugenden Darbietung auch in der Berliner Philharmonie klangliche Stürme.

****1

Half a Pollini is better than none at all

Alexander Hall, 1st March

Mystified by the headline? Then read on for a partial view of Maurizio Pollini's latest recital, celebrating his 80th birthday.

****1

Complejo recital de Pollini con obras de Schönberg y Chopin

Jorge Baeza Stanicic, 8th December

Maurizio Pollini se mostró eficaz y admirable en la parte dedicada a Schönberg mientras que en las obras de Chopin hubo cierta variabilidad.

***11

A Grand Master returns: Maurizio Pollini at the Royal Festival Hall

Mark Pullinger, 12th March

Pollini's love for Chopin and Debussy was evident throughout an intimate recital as part of the Southbank Centre's in the International Piano Series.

****1

Chopin y Debussy a través de la Prisca Sapientia de Maurizio Pollini

Leonardo Mattana Ereño, 11th February

Maurizio Pollini, acogido en Madrid por la Fundación Scherzo, desplegó toda su sabiduría en un discurso pianístico profundamente personal.

*****

Intimacy and exuberance in Schumann and Chopin

Mark Thomas, 13th March

With plenty of sparkle and spritz, Pollini laces his performances of Schumann and Chopin with intimacy and introspection in a programme of contrasting emotions.

****1

Weitere Kritiken...

Benedetta Saglietti

Benedetta Saglietti hold a degree in music history. She is the author of Beethoven, ritratti e immagini: uno studio sull’iconografia (Beethoven, Portraits and Images: An Iconographical Study) and a contributor of program notes for musical institutions. Her book reviews appeared in scholarly journals such as Studi Filosofici, Síneris, Revista de Musicología, Ad Parnassum. Selected articles and essays are here.