Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Kapsberger

Wer bei diesem frühbarocken Programm und der Energie des Ensembles nicht mittanzt und genießt, dem ist nicht mehr zu helfen. Große Freude, purer Wahnsinn!

Dans un programme qui mettait à l'honneur le compositeur autrichien, la violoniste était accompagnée de Jean Rondeau, Thomas Dunford et Myriam Rignol, donnant lieu à un concert d'une grande beauté.

The Scottish Ensemble with guitarist Sean Shibe perform a thoughtful programme of ancient and modern Christmas-themed music in a candlelit St John’s Kirk.

Dame Emma Kirkby and Jakob Lindberg delight with an intimate and varied programme on the theme “Heroines of the Golden Age” at Brighton Early Music Festival. 

Enorme demostración de capacidades de los hermanos Zapico en un programa a medio camino entre la magia improvisatoria y la pureza rítmica

The Rolf Lislevand Ensemble in a dynamic and invigorating performance of 16th and 17th century music at the Salzburg Whitsun Festival.

Apollo's Fire digs deep into the roots of early music and finds some surprisingly contemporary sounds.

A pensive mood pervaded the Waalse Kerk, Amsterdam, on Friday evening as Los Músicos de su Alteza performed a programme of sacred cantatas.

Founded in 2005, Concerto Stella Matutina hail from the musically rich Vorarlberg region of Austria (home of the Schubertiade). For this evening’s concert, they were represented by two violins, a viola, cello and double bass apiece, a concert organ and percussion, plus their magnificent Baroque brass section – three players with a variety of horns, trumpets, trombones and cornetts.

Though they play Baroque music, the ensemble L’Arpeggiata is more like a jazz band than a traditional orchestra. Anchored by a continuo (rhythm section?) led by artistic director and theorbist Christina Pluhar, they are joined by various other instrumentalists, singers, and even dancers, fitting each of their projects.

On February 2, the Philadelphia Chamber Music Society produced its first-ever solo lute recital, featuring Hopkinson Smith. The concert took place in the intimate Benjamin Franklin Hall at the American Philosophical Society, allowing audiences to enjoy the subtle sounds of the instrument.

In sporting parlance, the "dream-team" of countertenor Iestyn Davies and Richard Egarr at the harpsichord came together last night for a Wigmore Hall concert held to mark the 10 years directorship of John Gilhooly, and was the perfect representation of his decade at the helm: singer + harpsichord, immaculate programming, consummate musicianship, scholarship, unheard-of treasures, blended with a da