Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Nyman

Whatever your taste in ballet, this program probably had it: Wheeldon's DGV meets Balanchine's Door and a Sigh and Raymonda Variations. 

A twin tribute slices and dices the composer's life and leaves a bad aftertaste.

San Francisco Ballet delivers the distinct and the relevant in a mixed-bill program of choreographic works that includes Ghosts in the Machine.

At the Edinburgh Frings, a niche festival of late night classical music thoughtfully  programmed at Old St Paul’s Church nestling off Edinburgh’s Royal Mile is food for the soul.

The BBC’s biennial Young Musician competition reached its thrilling climax in an absorbing, nail-biting and inspirational final concert at London’s Barbican yesterday afternoon.

In Michael Nyman's Facing Goya, the artist's head ends up in the worst possible hands.

Michael Nyman celebrates his 70th birthday and the 40th anniversary of the Michael Nyman Band with a concert mainly encompassing his film scores at the Colston Hall. 

This double bill from Shobana Jeyasingh spans 25 years of her career, from early success Configurations to the world première of Strange Blooms. At Southbank Centre's Queen Elizabeth Hall.

This Saturday afternoon concert by the Smith Quartet – the first in a two-concert series that would present the complete string quartets of Michael Nyman, including the UK première of his String Quartet no.

This Cheltenham Festival concert featured three British string quartets by Hugh Wood, Michael Nyman and Giles Swayne. Swayne and Wood were both present at the concert and gave an introductory talk providing context for their works. Swayne said in the talk that ‘music should be unpredictable to keep the listener interested’.

This season New York City Ballet unveiled two entirely new ballets by choreographers Peter Martins and Benjamin Millepied. Both world premieres took place during the NYCB’s spring gala earlier this month and were reprised Tuesday night for an eager, if not as impressively dressed, audience.Martins’ Mes oiseaux (“My Birds”), first of the night, included some interesting choices.

Classic Cut at the Royal Opera House’s Linbury Studio Theatre is the first project in a three-year-long celebration to commemorate the 25th anniversary of Shobana Jeyasingh Dance. The evening contained one completely new work Dev Kahn Hai?/Where is Dev?, and a reworking of Configurations, one of Jeyasingh’s first choreographic endeavours in the 1980s.