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Phelim McDermott begibt sich in Philip Glass' Altes Ägypten: eine Produktion mit Starauftritt von Anthony Roth Costanzo, die zu sehen und zu hören absolut fesselnd ist.

The Metropolitan Opera’s revival of Phelim McDermott’s bustling production combines circus-like hijinks with superb singing and acting from a fine cast.

Seven years after its world premiere at the Manchester International Festival, Tao of Glass arrives at @sohoplace in London's West End.

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials. 

La producción que triunfó con la English National Opera y la LA Opera llega felizmente a la ciudad condal, significando a la vez el estreno estatal de esta obra.

Philip Glass' operatic take on Ancient Egyptian history returns to the Coliseum in Phelim McDermott's hypnotic production, complete with jugglers...

Is it possible to have a minor success on every level? Kevin Puts' The Hours underwhelms in its world premiere production at the Metropolitan Opera. 

Phelim McDermott's popular staging of Satyagraha, which verges on the lush and the voluptuous, is revived to open English National Opera's season.

Phelim McDermott’s Coney Island Così fan tutte returns to The Met, in sparkling vocal performances. 

The third in the composer’s “portrait” trilogy finally arrives at The Met in Phelim McDermott's spectacular production. 

The world premiere of Philip Glass and Phelim McDermott's latest collaboration.

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score. 

After appearances in London and New York, Phelim McDermott's bold and imaginative production of Philip Glass’ Satyagraha arrives in Los Angeles.

Phelim McDermott’s new Met production is set in Brooklyn’s Coney Island in the late 1950s and is brilliantly vivid looking, but Mozart's music plays second fiddle. 

Glass' meditation on Gandhi's principles of non-violent resistance is powerfully treated in Phelim McDermott's virtuosic 2007 staging.

McDermott envisages Aida as a sister production to his team's mesmeric Akhnaten. But would the hypnotic juggling and glacial choreography work for Giuseppe Verdi's Nile epic?

The Perfect American, a fictional account of the final months of Walt Disney’s life, is a visually rhythmic flow of scenic magic on a blended Glass base – gently but harrowingly absorbing.

Così fan tutte in a 1950s carnival setting. Visually spectacular, and with plenty of laughs. Not everything works, but still worth seeing, especially for Roderick Williams' spivvy Don Alfonso.

This is ENO’s third outing for this production of the Philip Glass classic since its debut in 2007 – and no wonder, when it combines an adventurous artistic vision with surefire commercial success in a way that director’s opera so often doesn’t.

It wasn’t surprising that English National Opera’s UK première of The Perfect American was one of the most eagerly anticipated productions of the summer. Based on a fictitious narrative by Peter Stephan Jungk, the opera offers a timely glance behind the plush curtains of Walt Disney’s animated feature films.

Read our review of Phelim McDermott's production of The Enchanted Island by Jeremy Sams in its 2008 broadcast from the Met Opera in New York.