Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Nicholas Crawley

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Iain Paterson und Edward Gardner führen Wagners Meistersinger der ENO in Topqualität

Von David Karlin, 7. Februar 2015

Die ENO war in der letzten Woche aus den falschen Gründen in den Nachrichten und Richard Jones' Meistersinger von Nürnberg musste dringend eine großartie Produktion werden. Mit einer glänzenden Vorstellung von Iain Paterson ist sie das.

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London

7. Feb. 2015

Wagners Meistersinger in Topqualität

Von David Karlin

Iestyn Davies (Oberon) and Lucy Crowe (Tytania) © Craig Fuller

High Wycombe

Some enchanted evening? Garsington Opera's new A Midsummer Night's Dream

Von Roy Westbrook, 16. Juni 2024

In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?

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High Wycombe

16. Juni 2024

Garsington Opera's new A Midsummer Night's Dream

Von Roy Westbrook

High Wycombe

Songs of innocence and experience: Verdi's Falstaff at Garsington

Von Charlotte Valori, 16. Juni 2018

Bruno Ravella's fast-paced Falstaff for Garsington still has crucial space for pathos amid the comedy, with a notably subtle central performance from Henry Waddington.

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High Wycombe

16. Juni 2018

Songs of innocence and experience: Falstaff at Garsington

Von Charlotte Valori

Basel

A noble case for civil disobedience: Philip Glass’ powerful Satyagraha in Basel

Von Sarah Batschelet, 28. April 2017

Even forty years after its world première in Rotterdam, Sidi Larbi Cherkaoui’s new production of Philip Glass’s three-act opera in Basel has particularly timely relevance.

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Basel

28. Apr. 2017

A noble case for civil disobedience

Von Sarah Batschelet

Basel

Sexism and callousness in Richard Jones' Don Giovanni in Basel

Von Sarah Batschelet, 27. Januar 2017

In Richard Jones' production of Don Giovanni at Theater Basel, it was the singers alone who stole the limelight.

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Basel

27. Jan. 2017

Sexism and callousness in Theater Basel's Don Giovanni

Von Sarah Batschelet

London

Strong in concept, strong in casting: Richard Jones' Don Giovanni at ENO

Von Dominic Lowe, 30. September 2016

Richard Jones' new production is original and thought-provoking, while a commendable cast soars under the capable baton of Mark Wigglesworth.

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London

30. Sept. 2016

Strong concept and casting: ENO's Don Giovanni

Von Dominic Lowe

Amsterdam

Reisopera's Così fan tutte: cast shine in an uninspired staging

Von Nicolas Nguyen, 12. Februar 2016

In the Nederlandse Reisopera's Così fan tutte, the team of young soloists and the Orkest van het Oosten conducted by Arnaud Oosterbaum give a musically rewarding performance that compensates for an unconvincing stage direction.

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Amsterdam

12. Feb. 2016

Reisopera's Così fan tutte: cast shine in an uninspired staging

Von Nicolas Nguyen

Alresford

April’s first kiss: Susana Gaspar’s Mimì shines in a frustrating Bohème

Von Mark Pullinger, 14. Juni 2015

Despite a stellar Mimì, a disappointing La bohème at Grange Park Opera.

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Alresford

14. Juni 2015

April’s first kiss: Gaspar’s Mimì shines

Von Mark Pullinger

London

Opera's Spaghetti Western: Puccini's Girl of the Golden West at ENO

Von David Karlin, 2. Oktober 2014

Keri-Lynn Wilson produces an outstanding UK conducting debut in Richard Jones' faithful production of Puccini's Girl of the Golden West for ENO.

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London

2. Okt. 2014

Puccini's Girl of the Golden West at ENO

Von David Karlin

Amsterdam

The Nederlandse Reisopera's Barber a feast of exuberant comedy and fine singing

Von Nicolas Nguyen, 14. August 2014

With this concert performance of The Barber of Seville, the Nederlandse Reisopera and its team of soloists, headed by an irresistible Mark Milhofer as Almaviva, treated the audience of the Concertgebouw to a feast of exuberant comedy and fine singing.

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Amsterdam

14. Aug. 2014

A feast of exuberant comedy and fine singing

Von Nicolas Nguyen

London

A Tale of Two Hearts: Dickensian Rossini at Holland Park

Von Mark Pullinger, 7. Juni 2014

Unlike its première, disaster is averted in Opera Holland Park's Il barbiere di Siviglia, where a solidly traditional production is lit up by some splendid vocal performances.

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London

7. Juni 2014

A Tale of Two Hearts: Dickensian Rossini at Holland Park

Von Mark Pullinger

London

An absorbing Eugene Onegin at Royal Academy Opera

Von David Karlin, 11. März 2013

For an opera school production, it's a good idea to choose a classic: something that will focus the audience on the quality of the singers and orchestra rather than on innovation in the piece or programming.

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London

11. März 2013

An absorbing Eugene Onegin at Royal Academy Opera

Von David Karlin

London

Haydn's La vera costanza at Royal Academy Opera

Von David Karlin, 19. November 2012

One of the consistent joys of seeing a performance by the Royal Academy of Music's opera school is that they bring in world class conductors. At last night's La vera costanza, the orchestra, conducted by Trevor Pinnock, was exceptional.

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London

19. Nov. 2012

Haydn's La vera costanza at Royal Academy Opera

Von David Karlin