Rechercher des critiques de musique classique, opéra et ballet | Nicholas Crawley | par Bachtrack, pour des critiques de musique classique, opéra, ballet, danse

Voici 12 des 12 critiques

High Wycombe
Songs of innocence and experience: Verdi's Falstaff at Garsington

Par Charlotte Valori, 16 juin 2018

Bruno Ravella's fast-paced Falstaff for Garsington still has crucial space for pathos amid the comedy, with a notably subtle central performance from Henry Waddington.

****1
Plus d'infos

****1

High Wycombe

18 juin 2018

Songs of innocence and experience: Falstaff at Garsington

Par Charlotte Valori
Bâle
A noble case for civil disobedience: Philip Glass’ powerful Satyagraha in Basel

Par Sarah Batschelet, 28 avril 2017

Even forty years after its world première in Rotterdam, Sidi Larbi Cherkaoui’s new production of Philip Glass’s three-act opera in Basel has particularly timely relevance.

*****
Plus d'infos

*****

Bâle

29 avril 2017

A noble case for civil disobedience

Par Sarah Batschelet
Bâle
Sexism and callousness in Richard Jones' Don Giovanni in Basel

Par Sarah Batschelet, 27 janvier 2017

In Richard Jones' production of Don Giovanni at Theater Basel, it was the singers alone who stole the limelight.

***11
Plus d'infos

***11

Bâle

29 janv. 2017

Sexism and callousness in Theater Basel's Don Giovanni

Par Sarah Batschelet
Londres
Strong in concept, strong in casting: Richard Jones' Don Giovanni at ENO

Par Dominic Lowe, 30 septembre 2016

Richard Jones' new production is original and thought-provoking, while a commendable cast soars under the capable baton of Mark Wigglesworth.

****1
Plus d'infos

****1

Londres

02 oct. 2016

Strong concept and casting: ENO's Don Giovanni

Par Dominic Lowe
Amsterdam
Reisopera's Così fan tutte: cast shine in an uninspired staging

Par Nicolas Nguyen, 12 février 2016

In the Nederlandse Reisopera's Così fan tutte, the team of young soloists and the Orkest van het Oosten conducted by Arnaud Oosterbaum give a musically rewarding performance that compensates for an unconvincing stage direction.

***11
Plus d'infos

***11

Amsterdam

14 févr. 2016

Reisopera's Così fan tutte: cast shine in an uninspired staging

Par Nicolas Nguyen
Alresford
April’s first kiss: Susana Gaspar’s Mimì shines in a frustrating Bohème

Par Mark Pullinger, 14 juin 2015

Despite a stellar Mimì, a disappointing La bohème at Grange Park Opera.

**111
Plus d'infos

**111

Alresford

15 juin 2015

April’s first kiss: Gaspar’s Mimì shines

Par Mark Pullinger

Londres
Iain Paterson and Edward Gardner lead a top quality rendering of Wagner's Meistersinger for ENO

Par David Karlin, 07 février 2015

With ENO having been in the news for all the wrong reasons last week, it needed Richard Jones' The Mastersingers of Nuremberg to be a great production. Lit up by a towering performance by Iain Paterson, it is.

*****
Plus d'infos

*****

Londres

08 févr. 2015

A top quality rendering of Wagner's Meistersinger

Par David Karlin
Londres
Opera's Spaghetti Western: Puccini's Girl of the Golden West at ENO

Par David Karlin, 02 octobre 2014

Keri-Lynn Wilson produces an outstanding UK conducting debut in Richard Jones' faithful production of Puccini's Girl of the Golden West for ENO.

****1
Plus d'infos

****1

Londres

03 oct. 2014

Puccini's Girl of the Golden West at ENO

Par David Karlin
Amsterdam
The Nederlandse Reisopera's Barber a feast of exuberant comedy and fine singing

Par Nicolas Nguyen, 14 août 2014

With this concert performance of The Barber of Seville, the Nederlandse Reisopera and its team of soloists, headed by an irresistible Mark Milhofer as Almaviva, treated the audience of the Concertgebouw to a feast of exuberant comedy and fine singing.

****1
Plus d'infos

****1

Amsterdam

16 août 2014

A feast of exuberant comedy and fine singing

Par Nicolas Nguyen
Londres
A Tale of Two Hearts: Dickensian Rossini at Holland Park

Par Mark Pullinger, 07 juin 2014

Unlike its première, disaster is averted in Opera Holland Park's Il barbiere di Siviglia, where a solidly traditional production is lit up by some splendid vocal performances.

****1
Plus d'infos

****1

Londres

08 juin 2014

A Tale of Two Hearts: Dickensian Rossini at Holland Park

Par Mark Pullinger
Londres
An absorbing Eugene Onegin at Royal Academy Opera

Par David Karlin, 11 mars 2013

For an opera school production, it's a good idea to choose a classic: something that will focus the audience on the quality of the singers and orchestra rather than on innovation in the piece or programming.

****1
Plus d'infos

****1

Londres

12 mars 2013

An absorbing Eugene Onegin at Royal Academy Opera

Par David Karlin
Londres
Haydn's La vera costanza at Royal Academy Opera

Par David Karlin, 19 novembre 2012

One of the consistent joys of seeing a performance by the Royal Academy of Music's opera school is that they bring in world class conductors. At last night's La vera costanza, the orchestra, conducted by Trevor Pinnock, was exceptional.

***11
Plus d'infos

***11

Londres

20 nov. 2012

Haydn's La vera costanza at Royal Academy Opera

Par David Karlin

Rechercher des critiques de musique classique, opéra et ballet | Nicholas Crawley

Songs of innocence and experience: Verdi's Falstaff at Garsington

A noble case for civil disobedience: Philip Glass’ powerful Satyagraha in Basel

Sexism and callousness in Richard Jones' Don Giovanni in Basel

Strong in concept, strong in casting: Richard Jones' Don Giovanni at ENO

Reisopera's Così fan tutte: cast shine in an uninspired staging

April’s first kiss: Susana Gaspar’s Mimì shines in a frustrating Bohème

Iain Paterson and Edward Gardner lead a top quality rendering of Wagner's Meistersinger for ENO

Opera's Spaghetti Western: Puccini's Girl of the Golden West at ENO

The Nederlandse Reisopera's Barber a feast of exuberant comedy and fine singing

A Tale of Two Hearts: Dickensian Rossini at Holland Park

An absorbing Eugene Onegin at Royal Academy Opera

Haydn's La vera costanza at Royal Academy Opera