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Barrie Kosky's well-travelled staging reaches Naples with fine performances from orchestra, chorus and singers mixed with some questionable musical and directorial decisions.

La poco frecuente y esperada ópera de Prokofiev llega al Teatro Real en una nueva producción en colaboración con la Opernhaus de Zúrich.

Leo Nucci volvió a hacer un Rigoletto rebosante de carisma e intensidad, junto al que un brillante reparto supo destacar, con el apoyo de la enorme calidad de la Orquesta de la Comunidad Valenciana y una ágil batuta de Roberto Abbado.

Stefano Mazzonis di Pralafera's staging for Opéra Royal de Wallonie-Liège is stolid in direction, but Speranza Scappucci breathes life into Verdi's drama from the pit. 

When they asked Wilson to stage an opera by Verdi, the Texan director replied "I'll never do it!". Now he is at his fourth Verdi's production.

A trusty and convincing version of the masterpiece, with a cast of well-matched singers.

A superlative performance of Carmen that was certainly among the most thrilling performances New Zealand Opera has put on in recent memory.

Un Rigoletto desbalanceado entre lo musical y lo escénico fue lo que observamos el pasado martes en la función inaugural con la que se celabraron los cinco años de creación del Teatro Mayor Julio Mario Santo Domingo.

A very good production of Luisa Miller by the Teatro San Carlo, set in Naples itself.

In San Carlo's Luisa Miller, top notch performances from Luciano Ganci and Elena Moşuc lead a concert performance which show what a great and underperformed work this is.