Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Jiří Bělohlávek

Mit viel Elan und Pathos interpretierte die Tschechische Philharmonie Komponisten ihrer Heimat und traten mit Khatia Buniatishvili in Schumanns Klavierkonzert in einen Dialog mit geschmeidigen Fingerspitzengefühl der Solisten. 

The BBC Symphony Orchestra and Chorus grow in stature through an evening which provides a good introduction to the virtues of Dvořák’s seldom-played large scale choral work.

American violinist Joshua Bell updates a tradition with class and panache in the Czech Philharmonic's season opener.

Karita Mattila produces a star turn in the title role, but a pure concert staging does little to bring out the cleverness of the libretto of Janáček’s Makropulos Case.

Remarkable performances from Karita Mattila and Malin Byström head this strong production of Janáček’s Jenůfa at San Francisco Opera. 

It's not for nothing that Janáček's opera is properly titled Její pastorkyňa (Her Stepdaughter). Karita Mattila's Kostelnička was at the centre of a powerful concert performance of Jenůfa.

Debuts all round: pianist Igor Levit in Beethoven 5, and a debut of Czech composer's Martinu's Symphony no 6. 

The Pittsburgh Symphony under Jiři Bělohlávek gave a rare performance of Smetana's complete cycle of tone poems.

“What Czech does not like music?” declares Beneš, the jailor in Smetana’s opera Dalibor. Certainly not Jiří Bělohlávek, who is as superb an advocate for Czech music as any conductor in the world right now.

The Czech Philharmonic performing Mahler’s Second Symphony at Birmingham’s Symphony Hall equals great expectation. The composer and symphony have historical links to the orchestra and venue alike. Could Bělohlávek deliver?

Truls Mørk marvels with Dvořák's cello concerto in an evening that saw the Czech Philharmonic go from strength to strength in the hands of Jiří Bělohlávek.

La Orquesta Filarmónica Checa ofrece un concierto desigual. El sinfonismo de Richard Strauss fue la espoleta que hizo reaccionar a un público discretamente ensoñado.

The Czech Phil's all-Czech programme showed them off in resplendent form.

A superb account of Dvořák's Cello Concerto from Alisa Weilerstein outshone Beethoven's Symphony No. 7 under Jiri Bĕlohlávek's baton at the Proms

The BBC Symphony Orchestra première the first of two late works by John Tavener this Proms season and Isabelle Faust excels in Bartók and Bach. 

Was that really the Czech Philharmonic playing at the Rudolfinum in Prague on Thursday night? If you closed your eyes it sounded like a dedicated Baroque ensemble serving up a thundering version of Haydn’s Die Schöpfung (The Creation). 

Thunderous applause, numerous curtain calls; Stoyanova, Bĕlohlávek and a strong cast enjoy a fairy-tale reception in Sven-Bechtolf´s new production of Dvorak's Rusalka at the Vienna Staatsoper.

The Czech Philharmonic has had something of an eventful history since its first concert, given under the baton of Antonín Dvořák in 1896. Since then, the orchestra has been conducted by a number of distinguished musicians, including Gustav Mahler.

The Last Night of the Proms isn’t really a concert at all; it’s two very different concerts put on one after the other. The first is something like what we’re used to from a Prom, with big-name soloists performing alongside the BBC Symphony Orchestra and the BBC Symphony Chorus in world premières and classic works from the repertoire.

Jiří Bělohlávek, who was indisposed for his first scheduled Proms performance this year (in his final season as Chief Conductor of the BBC Symphony Orchestra), was back on the podium to conduct a Slavic-themed programme on Wednesday night. There were many elements of the concert which I enjoyed, especially the grandiose and colourful arrangement of Smetana’s String Quartet no.

There is an electric guitar on stage at Boston's Symphony Hall, and it is not a Pops concert.John Harbison's Symphony no. 5 for baritone, mezzo-soprano and orchestra up-ends what we think of as a symphony, presenting the voice as an instrument and recalibrating the form.

Tonight's Prom gave the chief conductor of the BBC Symphony Orchestra, Jiří Bělohlávek, the chance to showcase two masterpieces from his homeland, with the first half comprising the ever-popular Cello Concerto No. 2 by Dvořák and the second half, Smetana's epic cycle of symphonic poems, Má Vlast. The latter work, surprisingly, received its first complete Proms' performance this evening.

As you round the corner of Prince Consort Road, you raise your head to catch a glimpse of the tip of the Royal Albert Hall dome. But just as you do…SMACK! You’ve collided with a stranger’s back. Reorienting yourself you realise there’s a queue a mile long, winding down the steps outside the Royal Albert Hall and stretching all the way to bus stop down the road.

Due to the snow, I arrived to the Barbican too late to catch Stravinsky’s Dumbarton Oaks. However I made it in time for the premiere of Marc-André Dalbavie’s Oboe Concerto (BBC/Borletti-Buitoni Trust co-commission).The concerto is a highly varied piece which displayed some interesting composition techniques and contained a difficult part for the oboe.

In spite of Mahler's disapproval, his eighth symphony is forever tagged as the "Symphony of a Thousand" because of the immense choirs which perform it.