Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Andrew Harris

Ein grandioses Gesangsensemble und fantasievolle Vertonungen beweisen, warum Unsuk Chins Oper zu den Meisterwerken der zeitgenössischen gehört.

Simon Stone inszeniert Pendereckis Erstlingsoper als grausamen Schocker, der so manchen übel aufstößt.

Der langersehnte Herheim-Ring kann nun endlich mit einem aufschlussreichen und spannend erzählten Rheingold beginnen.

Damiano Michieletto schafft eine Inszenierung, die den Betrachter auch nach Ende der Oper nicht ruhen lässt.

Das Niveau der Solisten steht der enttäuschenden Inszenierung in unüberbrückbarer Distanz gegenüber.

Eine Versetzung von Vasco da Gamas Entdeckung der Seeroute nach Indien in die Gegenwart? Vera Nemirovas stilvolle Inszenierung von Mayerbeers Grand Opéra funktioniert überwiegend gut.

Fahle Geistergesichter, Blüten, die in den Himmel wachsen und ein fesselnder Christian Gerhaher: München zelebriert Monteverdis Orfeo

Salome is faceless and the Dance of the Seven Veils becomes a sardonic commentary on seduction in Komische Oper Berlin's austere new staging. 

The Baden-Baden Easter Festival presents an extraordinary performance of Elektra, with Nina Stemme in the title role and the Berliner Philharmoniker, led by Kirill Petrenko, in a stark and modern production. 

Weill and Brecht's excoriating satire is brilliantly executed; after such an intense opener, Mahagonny-Songspiel is less convincing.

Deutsche Oper Berlin returns in rousing style with a pared-down, open-air Rheingold on its “Parkdeck”.

Staging the story of the Italian political figure Rienzi as that of a dictator in 20th-century Germany was an inspired idea. This revival was a rare occasion to experience Wagner's early opera. 

Deutsche Oper Berlin's Salome was a mixed blessing: a magnificent Catherine Naglestad as the heroine, with good ensemble of singers and orchestra, but a thoughtful but far-fetched psychological interpretation.

The production was interesting but at times distracting, but the musical performances triumphed. 

Deutsche Oper Berlin's revival of Parsifal features a brilliant musical performances to override the production's focus on the dark side of religion.

Director Ole Anders Tandberg's production of Monteverdi's Il ritorno d'Ulisse expertly balances the line between irreverent humour and human tragedy.

Puccini's La fanciulla del West gets a modern update at the Deutsche Oper Berlin.

Deutsche Oper's production of Turandot ends with a double murder. Whatever point director Lorenzo Fioroni may have been trying to make about unhinged power, it failed to solve the problems of the ending of Puccini's opera.

A strong cast headed by Peter Seiffert perform in this visually appealing Tannhäuser at the Deutsche Oper in Berlin, where Markus Brück excels as Wolfram and Petra Maria Schnitzer takes on the role of the temptress Venus and the saintly Elisabeth.

A respectable performance by Deutsche Oper Berlin, raised to another level by Nina Stemme in the title role

Though it has run for 45 years, the Deutsche Oper Berlin’s Tosca is both timeless and a relic. Stand-in tenor Stefano La Colla's impassioned performance drew a standing ovation.