Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Julian Crouch

Atmosphärische und kaleidoskopisch bunte Bilder machen King Arthur zu einem beeindruckenden Gesamtkunstwerk.

Unter der Leitung von René Jacobs überwältigt die Akademie für Alte Musik Berlin in der Staatsopernproduktion von Purcells „dramatick opera“.

In the tiring role of Menelaus Andreas Schager was a mighty Heldentenor, combining impressive sound power with a dazzling colour and without ever showing a moment of fatigue.

Dominic Cooke’s Magritte-inspired production returns to Wales Millennium Centre to keep the audience giggling. 

Lotte de Beer’s Il barbiere di Siviglia for Dutch National Opera seems a surprisingly traditional spectacle... although it does come with a twist.

The cast, sets, costumes and direction of Muhly's opera Marnie impress, but the music somehow falls short of expectations.

After appearances in London and New York, Phelim McDermott's bold and imaginative production of Philip Glass’ Satyagraha arrives in Los Angeles.

Verdi's fifth opera can be considered a blueprint for Trovatore and deserves a more regular place in the repertoire, but it needs more sincere advocacy than Bechtolf is prepared to grant.

Glass' meditation on Gandhi's principles of non-violent resistance is powerfully treated in Phelim McDermott's virtuosic 2007 staging.

A conventional and quite predictable staging of Lehár’s most famous operetta was saved by dedicated musicians.

A decent cast was unable to redeem a fundamentally dull opera that lacks the psycholgical complexity and tension of both the original Graham novel and its famous Hitchcock adaptation.

Bechtolf's seductively imaginative staging consists in a flat pack fairytale world full of surprises that delight like the contents of a pop up book.

Love, light, levity, life. A joyful performance of Franz Lehár's Parisian operetta offers catharsis in troubling times. 

Christopher Wheeldon's Dutch National Ballet production of Cinderella takes a fresh look at Prokofiev's ballet, but the magic comes from Julian Crouch's stunning sets and costumes.

The first ballet company appearing in this year’s Hong Kong Arts Festival was the Dutch National Ballet, with Christopher Wheeldon’s production of Cinderella. 

Lothar Koenigs conducts a stylish, colourful Magic Flute inspired by Magritte. 

Only the slightest of quibbles with a fun, frothy new production of The Merry Widow at The Met. 

This is ENO’s third outing for this production of the Philip Glass classic since its debut in 2007 – and no wonder, when it combines an adventurous artistic vision with surefire commercial success in a way that director’s opera so often doesn’t.