Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Florence von Gerkan

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Christian Gerhaher (Amfortas) © Wilfried Hösl

Die Entdeckung der Langsamkeit: Parsifal an der Bayerischen Staatsoper

Von Benedikt Zacher, 4. April 2024

Pierre Audis Inszenierung und das Sängerensemble angeführt von einem grandiosen Christian Gerhaher sorgen für einen denkwürdigen Opernabend.

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München

4. Apr. 2024

Die Entdeckung der Langsamkeit: Parsifal an der Bayerischen Staatsoper

Von Benedikt Zacher

Lise Davidsen (Leonore) and David Butt Philip (Florestan) © Karen Almond

New York City

Lise Davidsen thrills in Metropolitan Opera’s Fidelio revival

Von Robert Levine, 7. März 2025

Exceptional singing enlivens a flawed production, which takes liberties with the tone and tenor of Beethoven's sole opera.

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New York City

7. März 2025

Lise Davidsen thrills in Metropolitan Opera’s Fidelio revival

Von Robert Levine

Claïna Clavaron (Street Singer) © Jean-Louis Fernandez

Aix-en-Provence

More is less: Die Dreigroschenoper becomes L’Opéra des quat’sous in Aix-en-Provence

Von David Karlin, 4. Juli 2023

Brecht and Weill’s political satire could hardly be more relevant, but Thomas Ostermeier and Maxime Balcon's new production fails to do it justice.

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Aix-en-Provence

4. Juli 2023

Die Dreigroschenoper becomes L’Opéra des quat’sous in Aix

Von David Karlin

München

Splendid performance of Parsifal amid Pierre Audi's bleakness and desolation in Munich

Von Ako Imamura, 14. April 2022

The Bayerische Staatsoper's revival of a controversial production containing Georg Baselitz’s artwork succeeds with strong musical performances led by veterans of Wagnerian operas.

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München

14. Apr. 2022

Splendid performance of Parsifal amid Audi's bleakness in Munich

Von Ako Imamura

München

Pierre Audi’s new Parsifal grinds the gears in Munich

Von Jonathan Sutherland, 28. Juni 2018

Instead of telling a story of spiritual enlightenment and ultimate redemption through faith, Pierre Audi's reading is bereft of mystery and magic.

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München

28. Juni 2018

Pierre Audi’s new Parsifal grinds the gears in Munich

Von Jonathan Sutherland

New York City

Jürgen Flimm's production of Fidelio returns to The Met after a long absence

Von Ako Imamura, 16. März 2017

The Met revived Beethoven's only opera Fidelio with a strong cast and excellent chorus and orchestra, with a production that celebrates liberty and love.

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New York City

16. März 2017

Jürgen Flimm's production of Fidelio returns to The Met after a long absence

Von Ako Imamura

Amsterdam

Pulsating new Andriessen with prosaic libretto at the Holland Festival

Von Jenny Camilleri, 11. Juni 2016

Louis Andriessen’s new opera is a masterly expedition into the grand and grotesque mind of Athanasius Kircher, polymath and fantastist, but it is hampered by a clumsy libretto.

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Amsterdam

11. Juni 2016

Pulsating new Andriessen at Holland Festival

Von Jenny Camilleri

Mailand

An expressionistic Wozzeck: Jürgen Flimm's old classic closes the season at La Scala

Von James Imam, 6. November 2015

The set is a stark, grubby nonentity. A central concave structure spits out each scene's requisites, flashing up like apparitions from the vortex of Wozzeck's mind.

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Mailand

6. Nov. 2015

An expressionistic Wozzeck at La Scala

Von James Imam

New York City

Ensemble Musikfabrik parades new Partch instruments in slapstick tragedy

Von Jacob Slattery, 23. Juli 2015

Under the direction of Heiner Goebbels, Ensemble Musikfabrik’s twenty-two multifaceted percussionist-vocalist-actor musicians executed an industrious performance of Partch’s magnum opus, The Delusion of the Fury.

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New York City

23. Juli 2015

Musikfabrik parades new Partch instruments in slapstick tragedy

Von Jacob Slattery