Termine Kritiken Artikel Video

Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Nicholas Jones

20 von 20 Kritiken angezeigt

Lesen Sie Rezensionen in einer anderen Sprache: Français, English

Opera Australias The Rabbits: Terracinis Antwort für seine Kritiker

Von Jeremy Eccles, 21. Januar 2016

Hätte Großbritannien Spaß an The Rabbits? Denn so allegorisiert die neue, australische Familienoper die Briten der Kolonialzeit, die in diese herrenlose Welt Downunder kamen und die Existenz der australischen Ureinwohner leugnete - die in dieser Oper in Gestalt von Beuteltieren auftreten.

***11

***11

Sydney

21. Jan. 2016

Terracinis Antwort für die Kritiker

Von Jeremy Eccles

Nicholas Jones in Le Caffé © Cassandra Hannagan

A misshapen pearl and a dead canary in Pinchgut Opera’s latest venture

Von Zoltán Szabó, 12. September 2026

Pinchgut Opera always has a lot to offer, but this time their delivery proves patchy in ‘Coffee and a Dead Canary’.

***11

***11

Sydney

12. Sept. 2026

A misshapen pearl and a dead canary in Pinchgut Opera’s latest venture

Von Zoltán Szabó

Andrei Bondarenko (Onegin) and Lauren Fagan (Tatyana) © Keith Saunders

Opera Australia’s Eugene Onegin shines musically

Von Sandra Bowdler, 17. März 2026

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

****1

Sydney

17. März 2026

Opera Australia’s Eugene Onegin shines musically

Von Sandra Bowdler

Anna Dowsley (Dido) © Keith Saunders

Stunning acrobatics, a forlorn farewell: Purcell’s Dido and Aeneas in Sydney

Von Zoltán Szabó, 13. März 2025

Yaron Lifschitz mesmerises from the opening tableaux’s row of candles in his Purcell staging for Opera Australia, featuring Circa, a Brisbane-based circus company.

****1

****1

Sydney

13. März 2025

Stunning acrobatics, a forlorn farewell: Dido and Aeneas in Sydney

Von Zoltán Szabó

Samuel Dundas (Horatio), Jud Arthur (Gravedigger) and Allan Clayton (Hamlet) © Keith Saunders

The quintessence of Hamlet: Brett Dean’s opera arrives in Sydney

Von Jeremy Eccles, 20. Juli 2024

80% less of Shakespeare's text adds up to more intensity in Brett Dean's Hamlet as Neil Armfield's staging is mounted by Opera Australia.

****1

****1

Sydney

20. Juli 2024

The quintessence of Hamlet: Brett Dean’s opera arrives in Sydney

Von Jeremy Eccles

Christian Van Horn (Don Quichotte) © Émilie Brouchon / Opéra national de Paris

« Lorsque le temps d'amour a fui » : le bouleversant Don Quichotte de Michieletto à Bastille

Von Stéphane Lelièvre, 17. Mai 2024

À l’Opéra Bastille, Damiano Michieletto signe une lecture de l'ouvrage de Massenet d’une grande intelligence et d’une rare force d’émotion. Christian Van Horn propose une incarnation exemplaire du Chevalier de la Longue-Figure.

*****

*****

Paris

17. Mai 2024

Bouleversant Don Quichotte de Massenet par Michieletto à Bastille

Von Stéphane Lelièvre

The Exterminating Angel à l'Opéra de Paris © Agathe Poupeney / Opéra national de Paris

L’Ange exterminateur de haut vol de Thomas Adès à l’Opéra Bastille

Von Erwan Gentric, 29. Februar 2024

La création française de l'opéra du compositeur britannique restera LE temps fort de la saison pour la Grande Boutique, la musique, la mise en scène et la distribution s'accordant à merveille.

*****

*****

Paris

29. Feb. 2024

L’Ange exterminateur de haut vol de Thomas Adès à Bastille

Von Erwan Gentric

Adriana Lecouvreur à l'Opéra Bastille © Sébastien Mathé / Opéra national de Paris

Le triomphe d'Anna Netrebko dans Adriana Lecouvreur à l'Opéra Bastille

Von Jean-Pierre Rousseau, 16. Januar 2024

La reprise de la production de David McVicar créée en 2015 est une belle réussite, notamment grâce à l'interprétation exceptionnelle d'Anna Netrebko dans le rôle-titre.

****1

****1

Paris

16. Jan. 2024

Le triomphe d'Anna Netrebko dans Adriana Lecouvreur à Bastille

Von Jean-Pierre Rousseau

Turandot à l'Opéra Bastille © Agathe Poupeney / Opéra national de Paris

Turandot : la princesse de glace met le feu à l'Opéra Bastille

Von Stéphane Lelièvre, 6. November 2023

La mise en scène de Bob Wilson se confirme comme l'une des grandes réussites de l'artiste américain dans le domaine lyrique. Servi par une distribution de premier ordre, le spectacle est un magnifique succès.

****1

****1

Paris

6. Nov. 2023

Turandot : la princesse de glace met le feu à l'Opéra Bastille

Von Stéphane Lelièvre

L'Affaire Makropoulos à l'Opéra Bastille © Bernd Uhlig / Opéra national de Paris

L’Affaire Makropoulos à l'Opéra de Paris : la double mise en abyme de Warlikowski

Von Erwan Gentric, 5. Oktober 2023

La production du metteur en scène polonais est de retour à Bastille et on a bien du mal à lui trouver des défauts, d'autant que la direction musicale de Susanna Mälkki est au diapason.

****1

****1

Paris

5. Okt. 2023

La double mise en abyme de L’Affaire Makropoulos à Bastille

Von Erwan Gentric

Simon O'Neill (Florestan) © Sydney Symphony Orchestra

Back from the brink: two sopranos rescue Florestan in Sydney Symphony Fidelio

Von Jeremy Eccles, 24. November 2022

Simone Young is made of stern stuff. With 30 hours to go before the concert performance, her Leonore falls ill. Can the show go on?

****1

****1

Sydney

24. Nov. 2022

Back from the brink: two sopranos rescue Florestan in Sydney

Von Jeremy Eccles

Richard Meale’s Voss revived in all its brilliance in Adelaide

Von Brian Angus, 7. Mai 2022

Sometimes referred to as “the great Australian opera” ,Voss has had few Australian airings since its 1986 premiere. This new production shows why it is held in such high regard.

****1

****1

Adelaide

7. Mai 2022

Richard Meale’s Voss revived in all its brilliance in Adelaide

Von Brian Angus

Barrie Kosky’s reimagined Golden Cockerel launches Adelaide Festival

Von Brian Angus, 6. März 2022

Continuing Adelaide’s partnership with the Aix-en-Provence Festival another impressive, quirky, creative, imaginative Barry Kosky opera has enriched Adelaide’s Festival scene.

****1

****1

Adelaide

6. März 2022

Barrie Kosky’s reimagined Golden Cockerel launches Adelaide Festival

Von Brian Angus

The after party you can't miss: Pinchgut's Platée

Von Chantal Nguyen, 1. Dezember 2021

In arguably its best production to date, theatre luminary Neil Armfield combines with Pinchgut and Erin Helyard for the first time to deliver this electrifying production of Rameau's comic masterpiece, Platée.

*****

*****

Sydney

1. Dez. 2021

The after party you can't miss: Pinchgut's Platée

Von Chantal Nguyen

Pinchgut returns with Charpentier in Sydney

Von Jeremy Eccles, 5. Dezember 2020

Not quite ready for a full-blown opera, but Sydney's Pinchgut maintains its historically informed purity with a delicately expanded version of Charpentier's Messe de Minuit.

****1

****1

Sydney

5. Dez. 2020

Pinchgut returns with Charpentier in Sydney

Von Jeremy Eccles

Of art and genius: exceptional world premiere of Whiteley in Sydney

Von Chantal Nguyen, 15. Juli 2019

Opera Australia delivers a sensational new Elena Kats-Chernin opera about the immensely gifted and troubled Australian painter, Brett Whiteley.

****1

****1

Sydney

15. Juli 2019

Of art and genius: exceptional world premiere of Whiteley in Sydney

Von Chantal Nguyen

The return of Monteverdi: Pinchgut takes on Il ritorno d'Ulisse in patria

Von David Larkin, 13. Juni 2019

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

****1

****1

Sydney

13. Juni 2019

Pinchgut takes on Il ritorno d'Ulisse in patria

Von David Larkin

Intense role debut from Michael Fabiano as Werther in Sydney

Von Jeremy Eccles, 22. Februar 2019

The real triumph of Michael Fabiano's role debut as Werther lay in controlling the bold intensity of his voice in favour of a sweet and lower-key level of passion – a match for Massenet's frequent choice of the cello.

****1

****1

Sydney

22. Feb. 2019

Intense role debut from Michael Fabiano as Werther in Sydney

Von Jeremy Eccles

Master masons: Holten’s Meistersinger comes to Melbourne

Von David Larkin, 17. November 2018

Having offered a strong feminist reading of Wagner's Ring, could Kasper Holten do the same again for Die Meistersinger? Opera Australia's co-production had moments of excellence, but ultimately left the viewer with more questions than answers

***11

***11

Melbourne

17. Nov. 2018

Master masons: Holten’s Meistersinger comes to Melbourne

Von David Larkin

Cloudstreet: an exciting new opera drama in the Australian idiom

Von Brian Angus, 12. Mai 2016

There are Australian accents and idioms aplenty in this exciting new State Opera of South Australia opera being premiered in Adelaide.

*****

*****

Adelaide

12. Mai 2016

Cloudstreet: an exciting new opera drama in the Australian idiom

Von Brian Angus