Of art and genius: exceptional world premiere of Whiteley in Sydney

Von Chantal Nguyen, 17 Juli 2019

Laden, bitte warten...

Veranstaltung anzeigen

“Melrose's portrayal is intense and self-consumingly ferocious... he carries this opera compellingly”

Rezensierte Veranstaltung: Sydney Opera House: Joan Sutherland Theatre, Sydney, am 15 Juli 2019

Kats-Chernin, Whiteley

Opera Australia

Tahu Matheson, Musikalische Leitung

David Freeman, Regie

Dan Potra, Bühnenbild, Kostüme

Leigh Melrose, Brett Whiteley

Julie Lea Goodwin, Wendy Whiteley

Natasha Green, Younger Arkie Whiteley

Kate Amos, Older Arkie Whiteley

Dominica Matthews, Beryl Whiteley

Richard Anderson, Joel Elenberg

Nicholas Jones, Dark Figure/Michael Driscoll

Gregory Brown, Patrick White

Annabelle Chaffey, Queen

Alexander Hargreaves, Robert Hughes

Tomas Dalton, Bryan Robertson

Jonathan Alley, John Rothenstein

Brad Cooper, Frank Lloyd

Leah Thomas, Anna Schwartz

Ruth Strutt, Biennale Judge

Celeste Lazarenko, Fijian Backpacker

Sitiveni Talei, Fijian Police Officer

Angela Hogan, Janice

Opera Australia Chorus

Opera Australia Orchestra

John Rayment, Licht

Terracinis Antwort für die Kritiker

Jeremy Eccles, 21st January

Hätte Großbritannien Spaß an The Rabbits? Denn so allegorisiert die neue, australische Familienoper die Briten der Kolonialzeit, die in diese herrenlose Welt Downunder kamen und die Existenz der australischen Ureinwohner leugnete - die in dieser Oper in Gestalt von Beuteltieren auftreten.

***11

Himmlische Latonia Moore in Aida

David Larkin, 27th March

Kamele, Feuerwerk und ein riesiger Kopf von Nefertiti: der Sydney Harbour-Inszenierung von Aida fehlt es nicht an Spektakel. Latonia Moore sticht in der Titelrolle heraus, mit guter Unterstützung von Miliaja Nikolic als Amneris und Michael Honeyman als Amonasro.

***11

Opera Australia’s Eugene Onegin shines musically

Sandra Bowdler, 17th March

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

Humperdinck hobbled in Opera Australia revival

Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Weitere Kritiken...

Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.