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Charles Castronovo (Riccardo), George Petean (Renato) und Katharina Konradi (Oscar) © Herwig Prammer

Primat der Musik: Verdis Un ballo in maschera am Opernhaus Zürich

Von Thomas Schacher, 08 Dezember 2024

Gianandrea Noseda, ein leidenschaftlicher Verdi-Kenner, bringt die unterschiedlichen musikalischen Sphären des Stücks brillant zum Klingen. Die Regisseurin Adele Thomas findet für den schicksalhaften Gang der Handlung ein schlüssiges Symbol.

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Zürich

08 Dez 2024

Primat der Musik: Verdis Un ballo in maschera am Opernhaus Zürich

Von Thomas Schacher

Daniel Luis de Vicente (Rigoletto) © Richard Hubert Smith

Southampton

A dark and disturbing Rigoletto from Welsh National Opera at Mayflower Theatre

Von David Truslove, 14 November 2024

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery.

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Southampton

14 Nov 2024

A dark and disturbing Rigoletto from WNO at the Mayflower

Von David Truslove

Glyndebourne

Joélle Harvey is outstanding in Glyndebourne's incendiary Semele

Von Roy Westbrook, 23 Juli 2023

Adele Thomas makes a good case for Semele's operatic credentials in her production which makes effective nods towards Baroque opera’s devotion to spectacle.

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Glyndebourne

23 Jul 2023

Joélle Harvey is outstanding in Glyndebourne's incendiary Semele

Von Roy Westbrook

Roberto Tagliavini (Ferrando) and Jamie Barton (Azucena) © ROH | Camilla Greenwell

London

A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames

Von Mark Pullinger, 02 Juni 2023

Adele Thomas’ Royal Opera staging channels the Marx Brothers in playing it for laughs, but the musical compensations are many under Sir Antonio Pappano.

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London

02 Jun 2023

Barton’s Azucena drags Trovatore from the flames

Von Mark Pullinger

London

In the Realms of Sorrow: London Handel Festival presents cantatas in the round

Von Mark Valencia, 02 März 2023

Director Adele Thomas can do no wrong, sustaining her extraordinary run of fizz with this unlikely concatenation of four Handel cantatas at Stone Nest.

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London

02 Mär 2023

In the Realms of Sorrow: Handel cantatas in the round

Von Mark Valencia

Zürich

Il trovatore as gothic, medieval fairy tale in Zurich

Von Laura Servidei, 28 Oktober 2021

Gianandrea Noseda takes his post as general music director at the Opernhaus Zurich leading a great cast in Adele Thomas' successful new production.

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Zürich

28 Okt 2021

Il trovatore as gothic, medieval fairy tale in Zurich

Von Laura Servidei

London

A live audience returns to Covent Garden, but those watching at home get the better deal

Von Stephen Pritchard, 17 Oktober 2020

Christine Rice gives an astonishingly performance in an evening of four powerful chamber pieces.

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London

17 Okt 2020

A live audience returns to Covent Garden

Von Stephen Pritchard