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Francis Gush (Giulio Cesare) © Richard Hubert Smith

Caesar conquers Buxton: ETO's slimmed-down Giulio Cesare strikes just the right note

Von Sarah Noble, 11. Mai 2023

Top notch singing, judicious pruning and production which prioritises human drama over camp spectacle make for an illuminating take on Handel's most frequently staged opera.

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Buxton

11. Mai 2023

Caesar conquers Buxton: ETO's slimmed-down Giulio Cesare

Von Sarah Noble

London

Pauline Viardot's Cendrillon outshines Bizet at Guildhall School

Von David Karlin, 1. November 2021

A double bill of French operettas shows Guildhall students to advantage as well as providing an introduction to Viardot that's well worth the trip.

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London

1. Nov. 2021

Pauline Viardot's Cendrillon outshines Bizet at Guildhall School

Von David Karlin

Bergen

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Von Mark Valencia, 15. März 2021

Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera.

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Bergen

15. März 2021

Edward Gardner conducts a sharp La clemenza di Tito live from Bergen

Von Mark Valencia

London

Susanna Hurrell's Queen Cleopatra reigns in English Touring Opera's Giulio Cesare

Von Kevin W Ng, 7. März 2020

James Conway's production for English Touring Opera returns in a trimmed-down, single-evening guise.

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London

7. März 2020

Hurrell's Cleopatra reigns in English Touring Opera's Giulio Cesare

Von Kevin W Ng

Glyndebourne

Community Chorus is star of the show in Glyndebourne's Agreed

Von Nick Boston, 1. März 2019

Impressive performances from a 75-strong community chorus in a watery tale of love, loss and divided lands at Glyndebourne.

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Glyndebourne

1. März 2019

Community Chorus is star of the show in Glyndebourne's Agreed

Von Nick Boston

Wexford

Bloody and marvellous: Wexford Festival Opera opens with a double bill by Leoni and Giordano

Von Andrew Larkin, 19. Oktober 2018

A terrifically strong cast gives a fine rendition of two lesser heard operas: Giordano's Mala vita Leoni's L'oracolo.

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Wexford

19. Okt. 2018

Bloody and marvellous Wexford double bill by Leoni and Giordano

Von Andrew Larkin

London

Peacocks in Paris: an engrossing La traviata at Opera Holland Park

Von Dominic Lowe, 29. Mai 2018

Opera Holland Park starts its 2018 season with a bang (and a cough), offering a splendid new production of La traviata. Lauren Fagan is a sensational Violetta, but the production is a real company effort and achievement.

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London

29. Mai 2018

An engrossing La traviata at Opera Holland Park

Von Dominic Lowe

London

Static but worth the slog: ETO's two-part Giulio Cesare

Von Olivia Bell, 7. Oktober 2017

Conway's decision to render Handel's epic in its entirety was let down by a static staging and unnecessary repeats that masked the hidden gem-like arias.

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London

7. Okt. 2017

Static but worth the slog: ETO's Giulio Cesare

Von Olivia Bell

London

Rawness and tenderness in English Touring Opera's Dardanus

Von Benjamin Poore, 6. Oktober 2017

A searing examination of love in a time war is to be found in a new production and new edition of Rameau's greatest work.

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London

6. Okt. 2017

Rawness and tenderness in English Touring Opera's Dardanus

Von Benjamin Poore

Wexford

Utterly gripping performance of Barber's Vanessa at Wexford Festival Opera

Von Andrew Larkin, 27. Oktober 2016

An intriguing performance of a wonderful, psychological opera that needs to be heard much more frequently this side of the Atlantic.

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Wexford

27. Okt. 2016

Utterly gripping Vanessa at Wexford

Von Andrew Larkin

London

Gambling and Gothic: The Queen of Spades at Opera Holland Park

Von David Karlin, 2. August 2016

Tchaikovsky's High Gothic opera about gambling obsessions is worth seeing for a first class staging, albeit with a mixed musical performance.

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London

2. Aug. 2016

Gambling and Gothic: The Queen of Spades

Von David Karlin

London

A surrealist Minotaur and devils in tutus: Ariane and Alexandre bis at Guildhall

Von Dominic Lowe, 31. Mai 2016

The Guildhall School of Music and Drama is firing on all cylinders with this double bill of rare surrealist operas by Martinů.

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London

31. Mai 2016

A surrealist Minotaur and devils in tutus

Von Dominic Lowe

Glasgow

Moving and brilliant: Owen Wingrave at the Royal Conservatoire of Scotland

Von David Smythe, 9. Mai 2016

The Royal Conservatoire of Scotland’s opera singers and chamber orchestra are on top form with a moving and thoughtful production of Britten’s Owen Wingrave.

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Glasgow

9. Mai 2016

Moving and brilliant: Owen Wingrave at RCS

Von David Smythe

London

Midsummer Night Fever: a 1970s Dream at Trinity Laban

Von Charlotte Valori, 1. Juli 2015

A Midsummer Night's Dream meets Saturday Night Fever in this glamourous, heady, glitter-strewn performance at Trinity Laban, directed by Olivia Fuchs.

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London

1. Juli 2015

A 1970s Dream at Trinity Laban

Von Charlotte Valori

Glasgow

Scottish Opera's Inés de Castro: shocking and unmissable

Von David Smythe, 24. Januar 2015

James MacMillan has honed his first opera Inés de Castro into an unmissable evening: unspeakably gory but utterly thrilling.

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Glasgow

24. Jan. 2015

Inés de Castro: shocking and unmissable

Von David Smythe

Glasgow

Glasgow Conservatoire gives Le nozze di Figaro a stylish twist

Von David Smythe, 17. Januar 2015

A perfect opera for students? Young singers and a stylish production of Le nozze di Figaro strike the balance between serious and comic.

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Glasgow

17. Jan. 2015

Le nozze di Figaro given a stylish twist

Von David Smythe