Community Chorus is star of the show in Glyndebourne's Agreed

Von Nick Boston, 03 März 2019

Laden, bitte warten...

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“Moody’s music is atmospheric and watery from the outset”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 1 März 2019

Moody, Agreed

Glyndebourne Youth Opera

Howard Moody, Musikalische Leitung

Simon Iorio, Regie

Cordelia Chisholm, Bühnenbild, Kostüme

Zara Mcfarlane, Kronos

Nazan Fikret, Elin

Michael Wallace, Alex

Louise Winter, Maya

Thomas Scott-Cowell, Korimako

Orchestra of the Age of Enlightenment

The value of Nothing: a dark thriller at Glyndebourne

Mark Pullinger, 27th February

There’s something decidedly odd about pitching up at Glyndebourne sans picnic hamper, wrapped up in heavy layers, the aroma of mulled wine wafting through the foyer...

*****

“Taffia Tosca” burns with Welsh fire

Mark Pullinger, 26th November

Led by Bryn Terfel's Scarpia and Natalya Romaniw's Tosca – not forgetting Aled Hall's scene-stealing Spoletta – this revival of Jonathan Kent's 2006 staging is urgently paced.

****1

Impressive Royal Opera debut by Ruzan Mantashyan in Bohème revival

Stephen Pritchard, 24th January

The Armenian soprano sweeps all before her in a delightfully controlled, touching performance, enhanced by a voice that would melt the stoniest of hearts.

****1

Death haunts Glyndebourne Tour's powerful Bohème

Nick Boston, 9th October

A strong cast led by Bekhzod Davronov and Gabriella Reyes plus an intense production helps Floris Visser unusual staging of La bohème stand out from the crowd.

****1

Love is no picnic: Hytner's Così fan tutte returns to Glyndebourne

Dominic Lowe, 4th July

Lush visuals and appealing singing do not quite make up for a somewhat lacklustre revival of Nicholas Hytner's acclaimed 2006 production of Mozart's late comedy.

***11

Singing triumphs: Monteverdi's Poppea, Hampstead Garden Opera

Charlotte Valori, 12th May

A musically sensitive account of Monteverdi’s Poppea, with simple staging and 1950s costumes, sees singing triumph noticeably over the relative theatrical inexperience of HGO’s talented young cast.

***11

Weitere Kritiken...

Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.