Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | David Dawson

Jamiel Devernay-Laurence’s Ballet Nights is celebrating its third birthday. Initially a more intimate affair at The Lanterns Studio Theatre, Ballet Nights has grown into a regular feature on the dance calendar.

Dutch National Ballet presents a triple bill of interesting contemporary works that show off the depth of talent within all ranks of the company.

National Ballet of Japan's Ballet Coffret showcased the versatility of the company with modern classical works including Dawson's A Million Kisses to my Skin, van Manen's 5 Tangos and Balanchine's Theme and Variations. 

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

It’s all change at the Ballett am Rhein with new Chief Choreographer, Bridget Breiner, and Ballet Director, Raphaël Coumes-Marquet taking over from Demis Volpi for the 24/25 season.

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

Dancing Dutch for Dutch National Ballet comprises four different works, not all by Dutch choreographers, which show off the depth and breadth of a company in great shape.

A new concept of high-end cabaret ballet with an incredible line up. 

English National Ballet appears refreshed and revitalised under its new artistic director.

Crystal Pite’s Angels’ Atlas offers a strange closer for the NBC's program in their brief run at New York City Center.

Their artistry was something that is rarely seen and is a great gift to us all.

Beautiful neoclassical and Baroque dance describes a future full of hope that really hits the spot.

An exciting London season closes with a glimpse of where ballet is headed, San Francisco style. 

Dawson impresses most where the dynamic between utter stillness and his lyrical movements is greatest, and Bryers has composed a beautiful and meditative series of compositions

Sasha Mukhamedov, James Stout and their fellow dancers succeed to drag us off to a romantic tragedy on the British isles on a June evening.

Unbound by restrictions, they’ve been given free rein to create, implement and demonstrate to the world what contemporary ballet looks like. Hint: it looks great.

Dresden Semberoper Ballett came across as a troupe of seasoned and versatile performers who move with fluidity in diverse repertory.

A world premiere that gives yet more credence to the burgeoning reputation of Crystal Pite for creating absorbing mass movement of considerable beauty 

Wheeldon’s vocabulary, Ratmansky’s Lyricism, Pastor’s roaring engine and Dawson’s mesmerising planetary roaming little prince Edo Wijnen, make for a happy afternoon. 

Energetic evening to start your summer. You can cut out Dawson's tableaus and frame them on the wall.

If there’s no surefire, bankable star without Körbes then there is more time to reflect on some of Pacific Northwest Ballet's other wonderful dancers.

Dutch National Ballet closes a vibrant season with Cool Britannia, including exciting world premieres by David Dawson and Christopher Wheeldon and a sensational performance of Wayne McGregor's Chroma.

With Back to Bach the Dutch National Ballet shows that Bach and ballet go together perfectly.

Spring has sprung in London, and there was a definite taste of nature and things new abounding at the Coliseum in the first of two programmes by English National Ballet. In Beyond Ballets Russes 1 there is a ‘newly hatched’ bird, two very different ‘faunes’ and a freshly outfitted pagan ritual to the god of spring.