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A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

Audio and film permeate Marriott's new work for The Royal Ballet, recounting the tale of Ted Feltham, a British Soldier uuring World War 1, and his fiancée, Florence Billington. 

This Ashton programme at the Royal Ballet displays all the hallmarks of the Ashton style; lightness, musicality and a beautiful quality of stillness.

This new production of Massenet’s Werther in Tokyo suffered multiple personnel changes even before it opened... 

L’Opéra de Montréal opened its 2013/14 season with a revival of Léo Delibes’ major operatic success, Lakmé. Rarely performed today, the story revolves around a romance between a colonial British officer, Gérald, and a Brahma priestess, Lakmé, in 19th-century India.

Henri Bergson famously defined comedy as “something mechanical encrusted on the living”. One suspects that Jacques Offenbach would have been a fan of this definition, and that Christopher Alden most certainly is.