An excellent Ashton triple bill from The Royal Ballet

Von Mark Pullinger, 24 April 2022

Laden, bitte warten...

Veranstaltung anzeigen

“Sambé left a trail of scorch marks across the stage”

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 23 April 2022

Scènes de Ballet (Sir Frederick Ashton)

A Month in the Country (Sir Frederick Ashton)

Rhapsody (Sir Frederick Ashton)

The Royal Ballet

Emmanuel Plasson, Musikalische Leitung

André Beaurepaire, Bühnenbild, Kostüme

John B. Read, Licht

Covent Garden Orchester des Royal Opera House

Julia Trevelyan Oman, Bühnenbild

Peter Teigen, Licht

William Bundy, Licht

John Charlton, Licht

Sir Frederick Ashton, Bühnenbild

William Chappell, Kostüme

Sarah Lamb, Tanz

Vadim Muntagirov, Tanz

Marianela Núñez, Tanz

Matthew Ball, Tanz

Gary Avis, Tanz

Christopher Saunders, Tanz

Luca Acri, Tanz

Mica Bradbury, Tanz

Francesca Hayward, Tanz

Marcelino Sambé, Tanz

Yasmine Naghdi, Tanz

Reece Clarke, Tanz

Laura Morera, Tanz

Anna Rose O'Sullivan, Tanz

Steven McRae, Tanz

Robert Clark, Klavier

Kate Shipway, Klavier

ABT presents the classics with slightly uneven results

Ivy Lin, 25th October

ABT offer some outstanding performances in a classical quadruple bill but there was a lack of confidence and uniformity within the corps de ballet.

***11

National Ballet of Japan revives Ashton's beloved Cinderella

Naomi Mori, 18th October

The National Ballet of Japan gave an excellent rendition of Sir Frederick Ashton's Cinderella, in spite of many new faces and role debuts.

****1

Ashton’s La Fille mal gardée: the most joyous of ballets

Amanda Jennings, 18th October

If you’re in need of a pick-me-up, get thee to the Royal Opera House and see La Fille mal gardée, a gem of a ballet. There’s a long roster of impressive casts to choose from.

****1

The Royal Ballet School: a triumphant display of excellence throughout

Jonathan Gray, 12th July

It was a wonderful, heartening afternoon – it’s no wonder nearly all the 2025 graduates have gained contracts with several major ballet companies.

*****

ABT: Ashton's Sylvia showcases the entire company

Ivy Lin, 10th July

The audience walked out of the theater feeling airborne and filled with the kind of joy you only feel after a truly special performance. Sylvia is an absolute treasure.

*****

Ballet Central at the Linbury: keen to prove its versatility

Deborah Weiss, 17th June

Ballet Central provides an extremely varied programme of new and old, classical and contemporary dance, with plenty of aplomb.

***11

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

A Month in the Country the bittersweet centrepiece of The Royal Ballet's excellent Ashton triple bill