Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Gabriele Sagona

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George Petean (Ford) and Luca Salsi (Falstaff) © Fabrizio Sansoni | Teatro dell'Opera di Roma

Rome

A flat Falstaff opens in Rome

Von Pia Maltri, 11. Oktober 2026

A bland updating ends up flattening the contrasts and social satire that Verdi’s opera wants to highlight.

**111

mehr

**111

Rome

11. Okt. 2026

A flat Falstaff opens in Rome

Von Pia Maltri

Nice

La Clémence de Titus, une campagne électorale sous tension à l'Opéra de Nice

Von Stéphane Lelièvre, 30. Januar 2026

Si la lecture proposée par Clarac et Deloeuil est plausible, sa réalisation scénique ne tient pas toutes ses promesses. Mais l’exécution musicale du chef-d’œuvre de Mozart offre de belles satisfactions.

***11

mehr

***11

Nice

30. Jan. 2026

La Clémence de Titus, une campagne électorale sous tension à Nice

Von Stéphane Lelièvre

Maria Agresta (Elena) and Coro del Teatro di San Carlo © Luciano Romano

Naples

I vespri siciliani in Naples: a revolt against the Mafia

Von Lorenzo Fiorito, 21. Januar 2024

In the Italian version of Verdi's French grand opéra, Emma Dante updates the action from 1282 to the organised crime of the Sicilian Mafia.

***11

mehr

***11

Naples

21. Jan. 2024

I vespri siciliani in Naples: a revolt against the Mafia

Von Lorenzo Fiorito

Naples

Samson et Dalila catches fire at the Teatro di San Carlo

Von Lorenzo Fiorito, 29. September 2022

Argentinian film director Damián Szifron's production is lauded in Naples, as are star soloists Anita Rachvelishvili and Brian Jagde.

****1

mehr

****1

Naples

29. Sept. 2022

Samson et Dalila catches fire at the Teatro di San Carlo

Von Lorenzo Fiorito

Tokyo

Rising star Aya Wakizono commands the stage in La Cenerentola in Tokyo

Von Nahoko Gotoh, 1. Oktober 2021

Jun Aguni’s fast-paced new staging, with brightly coloured sets and costumes by Rome-based Alessandro Ciammarughi, was full of visual delights and fantasy-filled images.

****1

mehr

****1

Tokyo

1. Okt. 2021

Rising star Aya Wakizono commands the stage in La Cenerentola

Von Nahoko Gotoh

Valencia

El Rigoletto de Leo Nucci conquista Les Arts

Von Juan José Freijo, 11. Mai 2019

Leo Nucci volvió a hacer un Rigoletto rebosante de carisma e intensidad, junto al que un brillante reparto supo destacar, con el apoyo de la enorme calidad de la Orquesta de la Comunidad Valenciana y una ágil batuta de Roberto Abbado.

****1

mehr

****1

Valencia

11. Mai 2019

El Rigoletto Nucci conquista Les Arts

Von Juan José Freijo

Valencia

Verdi como mantra: I masnadieri llega a Les Arts

Von Juan José Freijo, 9. Februar 2019

La siempre excelente actuación de la Orquesta de la Comunidad y un reparto vocal bien empastado invitan a abandonarse al simple disfrute de los sentidos.

***11

mehr

***11

Valencia

9. Feb. 2019

Verdi como mantra: I masnadieri llega a Les Arts

Von Juan José Freijo

Mailand

Andrea Chénier in Milan: tradition triumphs at La Scala's season opener

Von Renato Verga, 7. Dezember 2017

The big season opener at La Scala offers few surprises in a traditional staging, although Yusif Eyvazov proved his worth in the title role.

***11

mehr

***11

Mailand

7. Dez. 2017

Tradition triumphs at La Scala

Von Renato Verga

Mailand

Verdi's last opera nostalgically staged by Damiano Michieletto in Milan

Von Renato Verga, 2. Februar 2017

The 2013 Salzburg production of Damiano Michieletto's Falstaff finally arrives in Milan where the director sets the opera in “Casa Verdi”, the Milanese residence for elderly singers and musicians.

****1

mehr

****1

Mailand

2. Feb. 2017

Verdi's last opera nostalgically staged

Von Renato Verga

Mailand

Tears of blood among the cherry blossoms: La Scala make amends with a return to Puccini's original Madama Butterfly

Von Mark Pullinger, 7. Dezember 2016

A beautiful production by Alvis Hermanis of Madama Butterfly to open La Scala's new season, but it was Riccardo Chailly's presentation of Puccini's original 1904 score which caught the ear.

****1

mehr

****1

Mailand

7. Dez. 2016

Tears of blood among the cherry blossoms

Von Mark Pullinger

Turin

An urban portrait of modern Paris: Àlex Ollé's La bohème at the Teatro Regio, Turin

Von Renato Verga, 14. Oktober 2016

After 120 years Puccini's La bohème returns where it was first produced on February 1, 1896. Ale Ollé, director fron "La Fura dels Baus" stages a modern rendition of the moving masterpiece.

***11

mehr

***11

Turin

14. Okt. 2016

An urban portrait of modern Paris

Von Renato Verga

Mailand

A busted straight: La Scala's La fanciulla del West

Von Kevin Wells, 3. Mai 2016

La Scala might not have had all the right cards in its garter Tuesday night to prevent ending up holding aces and spaces, but it’s hard to play without a full deck in the first place.

****1

mehr

****1

Mailand

3. Mai 2016

A busted straight: La Scala's La fanciulla del West

Von Kevin Wells

Naples

A director's Falstaff in Naples

Von Lorenzo Fiorito, 13. März 2016

Good overall singing, but the Steinberg's conducting was completely subordinate to the stage directions.

***11

mehr

***11

Naples

13. März 2016

A director's Falstaff in Naples

Von Lorenzo Fiorito