Verdi's last opera nostalgically staged

Von Renato Verga, 03 Februar 2017

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 2 Februar 2017

Verdi, Falstaff

Teatro alla Scala

Zubin Mehta, Musikalische Leitung

Damiano Michieletto, Regie

Paolo Fantin, Bühnenbild

Carla Teti, Kostüme

Ambrogio Maestri, Sir John Falstaff

Carmen Giannattasio, Alice Ford

Massimo Cavalletti, Ford

Francesco Demuro, Fenton

Giulia Semenzato, Nannetta

Yvonne Naef, Mistress Quickly

Annalisa Stroppa, Meg Page

Francesco Castoro, Bardolfo (Bardolph)

Gabriele Sagona, Pistola

Carlo Bosi, Dr. Caius

Coro del Teatro alla Scala

Orchestra del Teatro alla Scala

Zwischen Symbolismus und Partyrealität: Salome an der Mailänder Scala

Rainer Zerbst, 20th February

Damiano Michieletto schafft eine Inszenierung, die den Betrachter auch nach Ende der Oper nicht ruhen lässt.

*****

Engel und Dämonen: Giovanna d'Arco an der Scala

David Karlin, 18th December

Verdis Fassung der Jeanne d'Arc-Geschichte mag dünn im Drama sein, doch herausragende musikalische Leistungen von Riccardo Chailly und dem Orcherster der Scala, Netrebko, Meli und Álvarez sorgen für einen wunderbaren Verdi-Abend.

****1

Nucci Respekt einflößend in düsterem Simon Boccanegra der La Scala

James Imam, 31st October

Nuccis Darstellung der Titelrolle in Simon Boccanegra stellte sicher, dass Verdis Drama hell erstrahlte.

****1

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

****1

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

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Renato Verga

Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.

Verdi's last opera nostalgically staged by Damiano Michieletto in Milan