Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Ungarische Rhapsodie Nr. 12 in cis-Moll, S244/12

With a spring in his step, Evgeny Kissin returns to Barbican Hall and gives well-wrought accounts of Beethoven, Chopin, Liszt and Schumann.  

Pour fêter son 80e anniversaire, la grande dame du piano a choisi de partager la scène avec trois jeunes pianistes (Pavel Kolesnikov, Samson Tsoy et Mihály Berecz) lors de deux belles soirées au festival toulousain.

La Fondation Vuitton nous fait découvrir le jeune pianiste japonais Mao Fujita, premier prix au concours Clara Haskil l'an dernier. Il s'impose en maître de la digitalité dans un programme Liszt/Scriabine/Prokofiev. 

Gábor Farkas performs an all-Liszt recital on a 19th-century Érard piano such as Liszt used, showing us both its highlights and its shortcomings.

Evgeny Kissin is more than a collection of bones and flesh and crazy hair: he is a sensation. Every May for the past several years, the pianist has performed a recital on the Perelman stage at Carnegie Hall, and every year the tickets have sold out by mid-October, seven or eight months in advance. These recitals are the pinnacle of any concert-goer’s season.

Let me first describe the sound of the applause: taut, front-heavy, explosive. This was before Evgeny Kissin played his first note at Symphony Hall this past Sunday. It was a packed house, with an audience that spilled out of the choir loft and onto several rows of chairs wrapped around the piano.

With more than 30 million YouTube channel views, there is simply no doubt that Valentina Lisitsa is already a classical music star to contend with.