Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Feste romane (Römische Feste)

Xavier de Maistre gives the Singapore premiere of Ginastera's Harp Concerto, while Pierre Bleuse conducts two of Respighi's Roman trilogy. 

The first programme in Stephen Hough's Sydney series sees him offer sensitive but not incandescent Rachmaninov, followed by thrilling performances of Respighi's Roman Trilogy under John Wilson. 

La la Orquesta Sinfónica do Porto ofreció una reveladora experiencia al conectar en una sola velada dos figuras de mundos sonoros, en principio, antagónicos.

Two colourful, atmospheric and evocative pieces by Respighi contrasted with a Bach Piano Concerto with Eric Le Sage.

Conductor Alpesh Chauhan and pianist Pavel Kolesnikov returned to Birmingham with an Italian themed programme. Could they build on the success of their previous performances with the CBSO?   

An elegant performance of Beethoven’s Eighth Symphony opened an oddly-proportioned concert.

Dutoit leads the New York Phil, pianist Yuja Wang in a colorful program of Respighi's Roman Trilogy and Mozart's Piano Concerto No. 9.

Pappano and the LSO provide magnificent entertainment with Respighi's Roman trilogy; Lise de la Salle gives pin-sharp precision in Rachmaninov's take on Paganini.

Charles Dutoit displays his expertise in Berlioz and Respighi in a fine evening with the Sydney Symphony. 

Opportunities missed to exploit dynamic contrast in Xian Zhang's Roman Festivals with the Hong Kong Philharmonic.

“More facility than substance”: perhaps an apt description of the music of Ottorino Respighi.  Certainly on the evidence of last night’s concert, featuring the three ever popular Roman tone poems, one could have been left with that impression, but we had a thoroughly good time in the process.

Charles Dutoit and the Royal Philharmonic Orchestra journey on a Roman holiday, taking in the pines, fountains and festivals of the Eternal City. 

In an engaging German-Scots accent, RSNO first violinist Ursula Heidecker Allen promised the pre-concert talk audience an evening of sunny Mediterranean moods. Time being a factor in these very worthwhile 25-minute, capacity-crowd events, she addressed only the programme’s two Respighi pieces, mentioning that he was a pupil of another programmed composer, Martucci.

Fate and Festivals was the rather bold title given to the latest Sydney Symphony Orchestra concert at Sydney Opera House in an evening which provided a great showcase for the full orchestra, demonstrating their great virtuosity, versatility and sensitivity as an ensemble.

Symphonic evocations of ancient Rome and 1950s Los Angeles filled the Royal Albert Hall last night, with John Adams conducting a combined orchestra of students from London's Royal Academy of Music and New York's Juilliard School. Between these pieces, by Respighi and Adams himself, the players were joined by pianist Imogen Cooper for Ravel's G major concerto.