Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Klavierquartett in Es-Dur, Op.47

Wie es sein soll: Kammermusik als Ensemblekunst – und gleichrangig reihte sich der Stardirigent ein.

Ein unvergesslicher Kammermusikabend auf großer Bühne mit Starbesetzung.

Nach dem Verlust ihres Bratschisten Friedemann Weigle im Juli dieses Jahres ist das Artemis Quartett nun auf Tournee „In Memoriam“, um Seiner zu gedenken.

Aline Piboule, Elsa de Lacerda, Elaine Ng et Kacper Nowak ont accordé leurs quatre personnalités, très différentes mais toutes sincères et totalement impliquées, dans deux des plus beaux quatuors pour piano et cordes du répertoire.

Le trio a invité une belle équipe de copains (Théo Fouchenneret, Edgar Moreau, Grégoire Vecchioni, Paul Zientara, Shuichi Okada) lors d'un programme « 1842 » parfois alambiqué mais formidablement défendu.

Retour sur une approche radicale – qui passe certainement mieux au disque que dans une salle qui ne lui est pas taillée sur mesure – dans laquelle on aura pu apprécier l'excellence des interprètes.

Birthday concerts are strange things. If a hall is going to celebrate your birthday, you'd want to be in the audience and have some of your favourite musicians entertain you.

An thoroughly entertaining evening of a very high level of musicianship from Steven Isserlis and friends at Wigmore Hall. 

Youthful Mahler, earth-shattering Shostatovich and life-affirming Schumann, played by The Maisky Trio and Maxim Rysanov at the Istanbul Music Festival.

Yesterday’s all-Romantic programme displaced the usual thing with incredible panache, as Daniel Hope’s violin surveyed the ensemble with regal bearing. 

An all-Schumann chamber music concert doesn’t come around that often even at the Wigmore Hall, so I was delighted that the Modigliani Quartet presented a programme of his major chamber works with pianist Beatrice Rana.

The Schubert Ensemble on a mission to promote Schumann and Fauré's chamber works in their two concerts series this year at the Wigmore Hall. 

Technical proficiency and brilliant clarity prevailed in the Stratos Quartett's recital, without ever feeling staid or over-cautious. 

The Schubert Ensemble's good-in-parts performance of Schumann, Schubert and John Woolwich.

Given reports that an earlier instalment of this Jerusalem Quartet tour had been disrupted by protesters, it's pleasing to be able to write that there were no such disturbances here. It's a good thing too, because nothing should overshadow the exquisite music-making of this Israeli quartet, joined here by Russian pianist Alexander Melnikov. Melnikov and the quartet blended very well.

The cellist Natalie Clein was at the centre of this concert of Schumann’s chamber music, given as a part of the Schumann bicentenary celebrations at Kings Place. The programme explored works from different periods of Schumann’s creative life: two works for cello and piano from 1849, the turbulent Piano Trio No. 3 in G minor from 1851, and the joyous Piano Quartet in E flat major from 1842.