Zwischen Liebespsychose und Historienspiel: MacMillans Mayerling

Von Rainer Zerbst, 20 Mai 2019

Laden, bitte warten...

Veranstaltung anzeigen

“Friedemann Vogel dürfte hier die Rolle seines Lebens gefunden haben”

Rezensierte Veranstaltung: Staatsoper Stuttgart, Stuttgart, am 18 Mai 2019

Mayerling (Sir Kenneth MacMillan)

Stuttgarter Ballett

James Tuggle, Musikalische Leitung

Jürgen Rose, Bühnenbild, Kostüme

Reinhard Traub, Licht

Diana Ionescu, Klavier

Friedemann Vogel, Tanz

Elisa Badenes, Tanz

Alicia Amatriain, Tanz

Remember Me in memoriam John Cranko: ein Abend am Stuttgarter Ballett

Rainer Zerbst, 30th October

Eine würdige Premiere zur Erinnerung an den großen Cranko. Die bewundernswerte Elisa Badenes prägt den Abend.

*****

The Royal Ballet’s Mayerling: violent, feral, tortured dance

Graham Watts, 30th March

In this latest revival of Kenneth MacMillan’s Mayerling, The Royal Ballet presents a roster of powerful and vivid interpretations across the board.

****1

National Ballet of Japan's revival of Manon was devastatingly good

Naomi Mori, 19th March

National Ballet of Japan in Kenneth MacMillan’s Manon has been revived six years after its performances were cancelled because of the pandemic. Exceptionally good interpretations led the opening night performance.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

ENB’s The Sleeping Beauty: disappointing cuts skew the story

Jonathan Gray, 27th November

English National Ballet's revival of the Tchaikovsky classic The Sleeping Beauty, disappoints at the Mayflower Theatre in Southampton.

***11

Ballet Nights makes an impressive and unforgettable Scottish debut

Kathy Elgin, 4th July

Ballet Nights is more than an evening of party pieces: it showcases emerging talent alongside older favourites and, in the case of this first Scottish outing, has an eye to local tradition.

****1

Weitere Kritiken...

Rainer Zerbst

Seit dem Studium an den Universitäten Tübingen und Bangor und Promotion ist Rainer Zerbst freier Kulturjournalist für Hörfunk und Presse. Autor u.a. von "Antoni Gaudí".

Zwischen Liebespsychose und Historienspiel: Kenneth MacMillans Mayerling am Stuttgarter Ballett