| Wagner, Richard (1813-1883) | Tristan und Isolde (ópera semiescenificada) |
| Teatro Real | |||
| Semyon Bychkov | Musikalische Leitung | ||
| Justin Way | Regie | ||
| Orquesta Titular del Teatro Real | |||
| Coro Titular del Teatro Real | |||
| Catherine Foster | Sopran | Isolde | |
| Andreas Schager | Tenor | Tristan | |
| Franz-Josef Selig | Bass | König Marke | |
| Brian Mulligan | Bariton | Kurwenal | 2023 Mai 03, 06 |
| Thomas Johannes Mayer | Bariton | Kurwenal | 2023 Apr 25, 29 |
| Neal Cooper | Tenor | Melot | |
| Ekaterina Gubanova | Mezzosopran | Brangäne | |
| Jorge Rodríguez-Norton | Tenor | Hirte | |
| David Lagares | Bass | Steuermann | |
| Alejandro del Cerro | Tenor | Junger Seemann |
Based on a medieval legend of Celtic origin, the libretto of Tristan und Isolde – written by Richard Wagner himself – expresses a rich constellation of cultural references which range from Buddhism to the theatre of Calderón and the philosophies of Feuerbach and Schopenhauer. Arranged around the pairs of eros/thanatos, obligation/instinct and conscience/ subconscious, these associations suggest a vanguard dramatic setting which looked nearly half a century ahead to the birth of modern psychology. With his score, Wagner not only marked a point of no return in the evolution of tonality and, with that, of Western music, but he also expressed in musical terms - by means of ample crescendos, compelling climaxes and profound anticlimaxes - the distinct moments of our most basic impulse: sexuality.
Definitely considered one of the five most influential and indisputable operas of all times, we will enjoy a semi-staged version, conducted by Semyon Bychkov, who is a most sought after conductor of Wagner at present.
