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Performer: City of Birmingham Symphony Orchestra

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LondonProm 46: City of Birmingham Symphony Orchestra

Howell, Elgar, Knussen, Weinberg
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Sheku Kanneh-Mason

BirminghamPurcell and Tchaikovsky

Purcell and Tchaikovsky
Purcell, Tschaikowsky
City of Birmingham Symphony Orchestra; Kate Suthers; Charlotte Skinner; Christopher Yates; Amy Thomas

BirminghamA Child of our Time

A Child of our Time
Britten, Tippett
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Talise Trevigne; Dame Felicity Palmer; Joshua Stewart; Brindley Sherratt

BirminghamSheku plays Elgar

© Glenn Thomas
Purcell, Elgar, Benjamin, Vaughan Williams
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Sheku Kanneh-Mason

BirminghamAlison Balsom plays Musgrave

Alison Balsom plays Musgrave
Gipps, Musgrave, Walton
City of Birmingham Symphony Orchestra; Mirga Gražinytė-Tyla; Alison Balsom
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A gleefully diabolical Damnation of Faust in Birmingham

Edward Gardner © Benjamin Ealovega
Edward Gardner conducts a richly entertaining account of Berlioz's masterpiece in Birmingham
*****
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Bold, dramatic colour in Gražinytė-Tyla's CBSO Mahler 2

Mirga Gražinytė-Tyla © Frans Jansen
Mahler 2 must be mother’s milk for the CBSO Chorus, though they sang with affecting passion from their soft, seated entry to towering last peroration of the Resurrection hymn.
****1
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Au-delà des horizons : le CBSO, Mirga Gražinytė-Tyla et Yuja Wang

Mirga Gražinytė-Tyla © Frans Jansen
Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.
****1
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CBSO in compelling form at the Anvil

Denis Kozhukhin © Marco Borggreve
An evening of first-class music making from one of the UK's top orchestras in a varied programme that showed off the strengths of all concerned.  
*****
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Exaggeration and disinterest mar John Wilson's CBSO programme

John Wilson © Sim Canetty-Clarke
John Wilson oversees a glossy, superficial take on early 20th-century works from England and the USA.
**111
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