Neue Kritikenmehr...
Salieris La fiera di Venezia: eine Himmelfahrtsmesse in Leverkusen
Orchester, Chor und Solisten machen dieses vergessene Lustspiel wieder zu dem, was es war: einem Opernerfolg.
Kein Ende der Begeisterung für neue Lucia
Die Neuproduktion der Bayerischen Staatsoper ist stimmig, die musikalische Leistung erntet Begeisterungsstürme.
Young Mozart returns to Venice: Il sogno di Scipione
Three sopranos and three tenors express a catalogue of "affections" in musical numbers full of coloratura and virtuosic effects that are already 100% Mozart despite the young age of the composer.
Mané Galoyan steals the show in a Traviata for our age
An emotionally intense Violetta from Mané Galoyan in Tom Cairns' darkly challenging La traviata launches Glyndebourne Tour's 50th season
Igor Golovatenko lights up Glyndebourne's in Poliuto
Glyndebourne's season opener features an outstanding singing performance by baritone Igor Golovatenko, leading a strong vocal cast. However, staging and orchestral performance leave much to be desired.
La traviata: Or What the Maid Saw
Tom Cairns’ Glyndebourne production features svelte costumes and sets, yet – unlike Verdi’s response to Marie Duplessis’ fate – Violetta’s tale left me entirely unmoved.