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Glyndebourne’s La traviata on tour: or What the Maid Saw

Von Mark Pullinger, 02 November 2014
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: New Victoria Theatre, Woking, am 1 November 2014
Programm
Verdi, La traviata
Darsteller
Glyndebourne Autumn
David Afkham, Musikalische Leitung
Tom Cairns, Regie
Hildegard Bechtler, Bühnenbild
Natasha Jouhl, Violetta Valéry
Emanuele D'Aguanno, Alfredo Germont
Evez Abdulla, Giorgio Germont
Eddie Wade, Baron Douphol
Glyndebourne Sinfonia
Weitere Oper Kritiken
The Railway Children becomes a pacy action thriller at Glyndebourne
Nick Boston, 30th October
Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.
****1
Glyndebourne’s iconic Dream approaches its century
Eleanor Knight, 12th October
Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season. 
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Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne
Eleanor Knight, 13th October
Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production. 
****1
Dazzling revival of Il turco in Italia at Glyndebourne
Dominic Lowe, 12th October
A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the body and belly laughs to warm the soul.
****1
Confusion clouds any central critique in Clément's Don Giovanni
Nick Boston, 12th November
Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne. 
***11
Another joyful return for Glyndebourne's fizzy Elisir d'amore
Nick Boston, 11th November
Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production. 
****1
Weitere Kritiken...
Kritiken von
David AfkhamEddie WadeEmanuele D'AguannoEvez AbdullaGiuseppe VerdiGlyndebourne AutumnGlyndebourne SinfoniaHildegard BechtlerLa traviataNatasha JouhlTom Cairns
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Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.