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Performer: István Rácz

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BudapestBest of Puccini

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Puccini
Gergely Madaras; Attila Toronykőy; Hungarian State Opera; István Dénes; Balázs Fügedi; Katalin Juhász; Tamás Pillinger

BudapestHungarian singers present Kodály folk songs

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Andrea Brassói-Jőrös; Erika Gál; István Kovácsházi; Csaba Sándor

BudapestHungarian singers present Kodály

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Andrea Brassói-Jőrös; Erika Gál; István Kovácsházi; Csaba Sándor

BudapestMozart: Don GiovanniKonzertante Aufführung

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Mozart: Don Giovanni
Gábor Hontvári; Hungarian State Opera; Hungarian State Opera Orchestra; Hungarian State Opera Chorus; Gyula Orendt; Miklós Sebestyén

BudapestYbl 213

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Andrea Brassói-Jőrös; Erika Gál; István Kovácsházi; Csaba Sándor

BudapestVerdi: RigolettoKonzertante Aufführung

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Verdi: Rigoletto
Leonardo Sini; Hungarian State Opera; Hungarian State Opera Orchestra; Hungarian State Opera Chorus; Alexandru Agache; Michele Kalmandy
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Glänzende Turandot an der Ungarischen Staatsoper

Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.
***11
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Fine voices, staid production: Rigoletto at Hungarian State Opera

Zita Szemere (Gilda) and Attila Mókus (Rigoletto) © Valter Berecz | Hungarian State Opera
Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.
***11
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Hungarian State Opera goes full The Last of Us with new Idomeneo

Zsuzsanna Ádám (Elettra) and ensemble © Attila Nagy | Hungarian State Opera
Hungarian State Opera presents Idomeneo for the first time in almost 50 years in a musically superb, but controversial pandemic-informed dystopian setting.
***11
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A torrent of themes: Parsifal at Hungarian State Opera

In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.
****1
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Idiomatic Bluebeard's Castle from the Hungarians in New York

Powerful and evocative imagery, both literal and implied, lingered on beyond the drop of the curtain.
****1
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A worthy rarity: Erkel’s Bánk bán has its belated American première

The music, a combination of Italian-sounding melodies, German instrumentation and Hugarian dotted rhythms, was remarkably captivating.
****1
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