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In bester Tradition: glänzende Turandot an der Ungarischen Staatsoper

Von Jenny Camilleri, 30. Januar 2016

Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.

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Budapest

30. Jan. 2016

Glänzende Turandot an der Ungarischen Staatsoper

Von Jenny Camilleri

Zita Szemere (Gilda) and Attila Mókus (Rigoletto) © Valter Berecz | Hungarian State Opera

Budapest

Fine voices, staid production: Rigoletto revived at Hungarian State Opera

Von George Jahn, 12. Juli 2024

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

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Budapest

12. Juli 2024

Fine voices, staid production: Rigoletto at Hungarian State Opera

Von George Jahn

Zsuzsanna Ádám (Elettra) and ensemble © Attila Nagy | Hungarian State Opera

Budapest

Hungarian State Opera goes full The Last of Us with new Idomeneo

Von Gianmarco Segato, 1. Juni 2023

Hungarian State Opera presents Idomeneo for the first time in almost 50 years in a musically superb, but controversial pandemic-informed dystopian setting.

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Budapest

1. Juni 2023

Hungarian State Opera goes full The Last of Us with new Idomeneo

Von Gianmarco Segato

Budapest

A torrent of themes and symbols in András Almási-Toth's new Parsifal at Hungarian State Opera

Von David Karlin, 23. April 2022

In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.

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Budapest

23. Apr. 2022

A torrent of themes: Parsifal at Hungarian State Opera

Von David Karlin

New York City

Idiomatic Bluebeard's Castle from the Hungarians in New York

Von Vishnu Bachani, 1. November 2018

Powerful and evocative imagery, both literal and implied, lingered on beyond the drop of the curtain.

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New York City

1. Nov. 2018

Idiomatic Bluebeard's Castle from the Hungarians in New York

Von Vishnu Bachani

New York City

A worthy rarity: Erkel’s Bánk bán has its belated American première

Von Edward Sava-Segal, 30. Oktober 2018

The music, a combination of Italian-sounding melodies, German instrumentation and Hugarian dotted rhythms, was remarkably captivating.

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New York City

30. Okt. 2018

A worthy rarity: Erkel’s Bánk bán has its belated American première

Von Edward Sava-Segal

Budapest

Boom or bust: the Hungarian State Opera's new Bánk Bán

Von Hugo Shirley, 9. September 2017

The big heart and generous melodies of Ferenc Erkel's fine opera shine through in difficult circumstances in Atilla Vidnyánszky semi-abstract new staging at the Erkel Theatre.

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Budapest

9. Sept. 2017

Boom or bust: the Hungarian State Opera's new Bánk Bán

Von Hugo Shirley

Budapest

Musical performances stand out in new Siegfried at the Hungarian State Opera

Von Orsolya Gyárfás, 19. März 2017

The third installment of Géza M. Tóth's staging of the Ring, this Siegfried is visually striking, but it's only a strong cast, and above all Egils Silins' Wanderer, that makes it worth attending.

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Budapest

19. März 2017

Musical performances stand out in Budapest Siegfried

Von Orsolya Gyárfás

Budapest

Witches at centre stage in Hungarian Macbeth

Von David Karlin, 22. Mai 2016

Miklós Szinetár's production for Hungarian State Opera is easy on the eye, but perhaps a little too beautiful for its subject matter.

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Budapest

22. Mai 2016

Witches at centre stage in Hungarian Macbeth

Von David Karlin

Budapest

An Aida in Budapest that could be re-named Amneris

Von Alexandra Ivanoff, 27. Februar 2016

Known for her powerful interpretations of the blockbuster Italian mezzo roles, the great Hungarian diva Ildikó Komlósi dominates the new production of Aida in Budapest.

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Budapest

27. Feb. 2016

An Aida in Budapest that could be re-named Amneris

Von Alexandra Ivanoff

Budapest

Der Freischütz: Sándor Zsóter takes brave aim but misses the mark

Von Mark Pullinger, 27. Mai 2015

Any director taking on Weber’s Der Freischütz faces big challenges. Sándor Zsóter’s production for the Hungarian State Opera takes risks, with very mixed results.

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Budapest

27. Mai 2015

Sándor Zsóter takes brave aim but misses the mark

Von Mark Pullinger