Glyndebournes erste Tosca: stimmlich stark, dramatisch unausgereift

Caitlin Gotimer (Tosca) und Matteo Lippi (Cavaradossi)

Erster Akt

Vladislav Sulimsky (Scarpia)

Matteo Lippi (Cavaradossi)

Von David Karlin, 22 Mai 2026

Laden, bitte warten...

Veranstaltung anzeigen

“das Problem ist, dass es nur mit geschlossenen Augen funktionierte”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 21 Mai 2026

Puccini, Tosca

Glyndebourne Festival Opera

Robin Ticciati, Musikalische Leitung

Jordan de Souza, Musikalische Leitung

Ted Huffman, Regie

Nadja Sofie Eller, Bühnenbild

Astrid Klein, Kostüme

DM Wood, Licht

London Philharmonic Orchestra

The Glyndebourne Chorus

Caitlin Gotimer, Floria Tosca

Matteo Lippi, Mario Cavaradossi

Vladislav Sulimsky, Baron Scarpia

Kristian Lindroos, Cesare Angelotti

Federico De Michelis, Mesner

Didier Pieri, Spoletta

Michael Ronan, Sciarrone

A deli-cious revival of Rossini’s Il turco in Italia at Glyndebourne

Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Weitere Kritiken...

David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Glyndebournes allererste Tosca: stimmlich stark, aber dramatisch unausgereift