Whimsical Tempest takes Budapest by storm

Von Alexandra Ivanoff, 24 Mai 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Ariel is an airborne theremin, a fireball of fioritura and a squeaky Scarbo”

Rezensierte Veranstaltung: Hungarian State Opera: Auditorium, Budapest, am 21 Mai 2016

Adès, The Tempest (Hungarian première)

Hungarian State Opera

Péter Halász, Musikalische Leitung

Ludger Engels, Regie

Ric Schachtebeck, Bühnenbild

Sabine Blickenstorfer, Kostüme

Franco Pomponi, Prospero

Erika Miklósa, Ariel

Istvan Horvath, Caliban

TBC, Miranda, Trinculo

Tamas Tarjányi, Antonio

Péter Balczó, Ferdinand

Attila Fekete, King of Naples

Zsolt Haja, Sebastian

András Palerdi, Gonzalo

Krisztián Cser, Stefano

Budapest Philharmonic Orchestra

Ambrogio Maestri gibt Budapester Falstaff Auftrieb

David Karlin, 22nd May

Der große Mann im Fettanzug dominiert die Show und gibt dem Falstaff der Ungarischen Staatsoper Elan und Lebensfreude.

****1

Glänzende Turandot an der Ungarischen Staatsoper

Jenny Camilleri, 30th January

Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.

***11

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

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Alexandra Ivanoff

Alexandra Ivanoff is an American journalist who, after singing for five seasons with the San Francisco Opera, lived for eight years in Istanbul, where she began her career as a music journalist with Time Out magazine and Today's Zaman newspaper in that city. After one year in Berlin and now in Budapest, she reviews from various cities and festivals in Europe, as well as Istanbul, New York, and Los Angeles. She has degrees in music from the Eastman School of Music in NY and Yale University Graduate School of Music.