Alexa Maxwell's Novice leads an excellent All Stravinsky program

Ashley Laracey and Joseph Gordon in George Balanchine's Stravinsky Violin Concerto

Sara Mearns and the Company in George Balanchine's Stravinsky Violin Concerto

Alexa Maxwell and Chun Wai Chan in Jerome Robbins' The Cage

Jovani Furlan in Jerome Robbins' Concertino

Von Ivy Lin, 26 Januar 2025

Laden, bitte warten...

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“She practically coils with a feral viciousness”

Rezensierte Veranstaltung: Lincoln Center: David H Koch Theater, New York City, am 22 Januar 2025

Danses Concertantes (George Balanchine)

The Cage (Jerome Robbins)

Concertino (Jerome Robbins)

Stravinsky Violin Concerto (George Balanchine)

New York City Ballet

Alexa Maxwell, Tanz

Chun Wai Chan, Tanz

Emily Kikta, Tanz

Emma Von Enck, Tanz

David Gabriel, Tanz

Jovani Furlan, Tanz

Ashley Laracey, Tanz

Joseph Gordon, Tanz

Sara Mearns, Tanz

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

****1

Bachmann, Mahler, Goecke: Tanztraumpremiere am Wiener Staatsballett

Michael Klier, 14th November

Die vier Tänzerinnen und sieben Tänzer zittern, ihre Arme, Schultern und Hände kratzen, flattern und schluchzen in oft eckigem Gestus und doch sind alle Bewegungen im Fluss.

****1

Spitzengefühl und neoklassischer Ansatz

Katja Vaghi, 4th May

Die neue Premiere des Staatsballetts spannt einen Bogen über die neuere Tanzgeschichte des 20. und 21. Jahrhunderts.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Carla Escoda, 13th May

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

*****

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Weitere Kritiken...

Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)