Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Von Rainer Zerbst, 17 Januar 2022

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Veranstaltung anzeigen

“Concerto verblüfft mit einer erstaunlichen Modernität, die geradezu unsterblich zu sein scheint”

Rezensierte Veranstaltung: Wiener Staatsoper, Wien, am 14 Januar 2022

Other Dances (Jerome Robbins)

Concerto (Lucinda Childs)

Liebeslieder Walzer (George Balanchine)

Wiener Staatsballett

Rolf Langenfass, Bühnenbild

Santo Loquasto, Kostüme

Ronald Bates, Licht

Wiener Staatsopernorchester

Anne Masset, Kostüme

Dominique Drillot, Licht

Barbara Karinska, Kostüme

Igor Zapravdin, Klavier

Johanna Wallroth, Sopran

Stephanie Maitland, Alt

Hiroshi Amako, Tenor

Ilja Kazakov, Bass

Stephen Hopkins, Klavier

Sarah Tysman, Klavier

Davide Dato, Tanz

Hyo-Jung Kang, Tanz

Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

Ivy Lin, 9th May

A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

Weitere Kritiken...

Rainer Zerbst

Seit dem Studium an den Universitäten Tübingen und Bangor und Promotion ist Rainer Zerbst freier Kulturjournalist für Hörfunk und Presse. Autor u.a. von "Antoni Gaudí".

Viel Vergangenheit: neuer Ballettabend Liebeslieder am Wiener Staatsballett