NDT2 I dreamt, it was: a dynamic double bill

NDT2 in in Kill Your Darlings by Imre and Marne van Opstal

NDT2 in Imre and Marne van Opstal’s Kill Your Darlings

NDT2 in Sharon Eyal’s SAABA

A dancer with NDT2 in Sharon Eyal’s SAABA

Von Mark Vicente, 30 Mai 2026

Laden, bitte warten...

Veranstaltung anzeigen

“overloading the audience with a barrage of disjointed scenes that purposely overwhelm”

Rezensierte Veranstaltung: International Theater: Grote Zaal, Amsterdam, am 28 Mai 2026

Kill Your Darlings (Imre van Opstal, Marne van Opstal)

Saaba (Sharon Eyal, Gai Behar)

Nederlands Dans Theater | NDT 2

Berauschend, fesselnd und voll wilder Eleganz: NDT’s Raw are the roots

Michael Klier, 11th May

Sharon Eyal und Gai Behars neue Choreographie, Jakie, sprengt den Rahmen eines herkömmlichen Tanzabends.

*****

Ein pulsierendes Herz: L-E-V bei Julidans in Amsterdam

Michael Klier, 13th July

Sharon Eyal und Gai Behars Choreographie erzählt von (Liebes)Glück und Einsamkeit.

****1

Deutung und Bedeutung: Paradigma am Bayerischen Staatsballett

Rainer Zerbst, 4th January

Ein unvergesslicher Abend, der zeigt, wie unterschiedlich Musik in Tanz aufgehen kann und wie klein der Unterschied zwischen abstraktem Tanz und konkreter Deutung sein kann.

*****

Lérus, Eyal et le Ballet de l'Opéra du Rhin en symbiose

Julie Jozwiak, 4th May

Ici de Léo Lérus et The Look de Sharon Eyal s'enchainent parfaitement et semblent comme deux facettes d'une même pièce, où l'affirmation de l'individu et le sens du collectif vont de pair.

****1

Delay the Sadness, la voix intime de Sharon Eyal à La Villette

Laurine Mortha, 27th November

La danseuse et chorégraphe israélienne propose une création très personnelle, faisant écho à la disparition de sa mère. Une œuvre géniale, qui renouvelle son style tout en en conservant les codes si caractéristiques.

*****

Sharon Eyal’s Into the Hairy at Sadler’s Wells

Deborah Weiss, 13th November

Sharon Eyal and Gai Behar’s S-E-D comes to Sadler's Wells with Into the Hairy, worth seeing for extraordinary dancers and the idiosyncratic nature of her distinctive choreography.

***11

Weitere Kritiken...

Mark Vicente

Mark Vicente hails from Montreal, Canada and has lived in Amsterdam for the last 10 years. He has over 30 years of experience in the arts and entertainment industry. Mark graduated from Canada’s National Ballet School and was in the corps de ballet with The National Ballet of Canada. He also performed in the Toronto production of Disney’s The Lion King and spent two seasons at The Stratford Festival of Canada. Presently, Mark is completing his MA in Comparative Cultural Analysis at the University of Amsterdam. His Substack, Lives After Dark, focuses on creative fiction and reflective essays on Amsterdam’s nightlife scene.

NDT2 I dreamt, it was: a dynamic double bill from the junior company