Knockout Pathétique from Bychkov and the Czech Phi in Vienna

Von Marc Haegeman, 21 November 2019

Laden, bitte warten...

Veranstaltung anzeigen

“definitely one of the most convincing Pathétiques I have heard”

Rezensierte Veranstaltung: Musikverein: Großer Saal, Wien, am 19 November 2019

Tschaikowsky, Violinkonzert in D-Dur, Op.35

Gluck, Orphée et Eurydice: Dance of the blessed spirits

Tschaikowsky, Symphonie Nr. 6 in h-Moll, "Pathetique", Op.74

Renaud Capuçon, Violine

Czech Philharmonic

Semyon Bychkov, Musikalische Leitung

Aufregender Dvořák mit Bychkov und der Tschechischen Philharmonie

Michael Vieth, 18th March

Ein Abend voll Dvořák – und was kann dazu noch besseres passieren als originale Klangkultur der Tschechischen Philharmonie Prag!

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Mitreißender Schostakowitsch von der Tschechischen Philharmonie

Stefan Pillhofer, 23rd October

Der Elften Symphonie Schostakowitschs in der Elbphilharmonie Schumanns Klavierkonzert a-Moll gegenüberzustellen, war von den Beteiligten eine wunderbare Idee.

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Khatia Buniatishvili spielt mit feiner aber bestimmter Art in Düsseldorf

Christine Arnold, 30th November

Mit viel Elan und Pathos interpretierte die Tschechische Philharmonie Komponisten ihrer Heimat und traten mit Khatia Buniatishvili in Schumanns Klavierkonzert in einen Dialog mit geschmeidigen Fingerspitzengefühl der Solisten.

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Sol Gabetta bares her soul in Elgar on Czech Phil tour

Clare Varney, 23rd April

Semyon Bychkov conducts the Czech Phil on their latest European tour with the music of Elgar and Stravinsky.

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A heartfelt reunion with the Czech Philharmonic in Prague

Frank Kuznik, 19th March

A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum.

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Searing Kindertotenlieder from Fleur Barron and Czech Philharmonic

Gianmarco Segato, 18th February

Fleur Barron delivers a searing Kindertotenlieder in the Czech Philharmonic's mini-survey of the Germanic Romantic repertoire under Semyon Bychkov.

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Weitere Kritiken...

Marc Haegeman

Marc Haegeman graduated as a historian from the University of Ghent. He developed a keen interest in music, ballet, photography and nature. As a dance writer and photographer he contributed to leading dance magazines in the last 20 years, including The Dancing Times, Dance International and Ballet2000, and has been working with companies worldwide. His classical music reviews appeared in Classical Net and on his blog I used mostly my ears. He is particularly interested in Russian music and the piano. When free, he loves spending time in nature, photographing landscapes and wildlife.

Knockout Pathétique from Bychkov and the Czech Philharmonic in Vienna