A Fitting Tribute to a Great French Choreographer

Von Margaret Willis, 26 Juli 2011

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Veranstaltung anzeigen

Rezensierte Veranstaltung: The London Coliseum, London, am 21 Juli 2011

L'Arlesienne (Roland Petit)

Le Jeune homme et la mort (Roland Petit)

Carmen (Roland Petit)

English National Ballet

Esteban Berlanga, Tanz

Erina Takahashi, Tanz

Yonah Acosta, Tanz

Anais Chalendard, Tanz

Begoña Cao, Tanz

Fabian Reimair, Tanz

Geschlechterrollen bei den Tänzerischen Höhepunkten in Stuttgart

Rainer Zerbst, 27th November

Die drei Choreographien von Jiří Kylián und Roland Petit behandeln die sexuelle Beziehungen zwischen Mann und Frau.

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Notre-Dame de Paris de Roland Petit conquiert Bastille

Laurine Mortha, 6th December

Créé en 1965, le ballet fait un retour fructueux à Bastille, avec ses couleurs chatoyantes, ses scènes de foule qui sollicitent particulièrement le corps de ballet et un excellent quatuor de personnages principaux.

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National Ballet of Japan: Petit’s Coppélia charms its live audience

Naomi Mori, 24th February

National Ballet of Japan performed Roland Petit’s Coppélia in front of a live audience for the first time, showing the company to be in great form.

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La Scala's home-made tribute celebrates Carla Fracci's legacy

Silvia Poletti, 9th April

The first Fracci Gala at the Teatro alla Scala celebrates the memory and the stature of a child of the house, who not always considered so in life.

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À Garnier, le Ballet de l'Opéra de Paris rend hommage à Roland Petit

Laurine Mortha, 6th June

Dix ans après la disparition du chorégraphe français Roland Petit, formé à l’école de danse de l’Opéra de Paris, l’institution lui rend hommage dans un programme en trois parties.

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Roland Petit's Coppelia a holiday week treat in Japan

Naomi Mori, 2nd May

Roland Petit's Coppélia by The National Ballet of Japan was streamed to more than 30,000 online viewers, entertaining people forced to stay home during the holidays.

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Weitere Kritiken...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.