The many faces of Christ: Hanno Müller-Brachmann stars in OSL's St Matthew Passion

Von David Allen, 02 April 2013

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Carnegie Hall: Stern Auditorium, New York City, am 28 März 2013

Bach, Matthäus-Passion, BWV244

Orchestra of St Luke's

Iván Fischer, Musikalische Leitung

Dominique Labelle, Sopran

Barbara Kozelj, Mezzosopran

John Tessier, Tenor

Hanno Müller-Brachmann, Bariton

Musica Sacra

Kent Tritle, Direktor

Kinan Azmeh offers a sampling of delights with St Luke’s

No’a L. bat Miri, 15th April

As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.

****1

Minimalism with a beating heart: Julius Eastman's Femenine

Kurt Gottschalk, 4th February

The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.

****1

Pichon crafts inventive Beethoven program with Orchestra of St Luke's

Cameron Kelsall, 6th November

The French conductor pairs Beethoven’s Ninth Symphony with several of the composer’s more obscure miniatures, performed alongside thematically related poetry.

*****

A resplendent St John Passion at Carnegie Hall

Susan Stempleski, 10th April

Principal Conductor Bernard Labadie leads the Orchestra of St Luke’s in a superbly sung and played performance of Bach’s fiery and dramatic St John Passion.

****1

Promethean Fire and an homage to Carolyn Adams ignite Paul Taylor

Carla Escoda, 6th November

A chilling masterpiece, a tribute to a beloved dancer, and the announcement of a new resident choreographer galvanized the Paul Taylor Dance gala audience at New York's Lincoln Center.

****1

Three premieres – heard twice – in New York

Kurt Gottschalk, 25th July

It can be a pleasure to hear an unfamiliar piece twice in the same program. Here, we heard three premieres fresh and then repeated after composer comments.

***11

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David Allen

David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.