Beantown rags to riches: BLO’s Cenerentola an unalloyed delight

Brandon Cedel (Don Magnifico), Alexis Peart (Tisbe) and Dana Lynne Varga (Clorinda)

Levy Sekgapane (Don Ramiro) and Cecelia Hall (Angelina)

Cecelia Hall (Angelina)

Dana Lynne Varga, Levi Hernandez (Dandini), Alexis Peart and Levy Sekgapane (Don Ramiro)

Von Kevin Wells, 15 November 2023

Laden, bitte warten...

Veranstaltung anzeigen

“Cedel could be charged with grand larceny, nearly stealing the show”

Rezensierte Veranstaltung: Cutler Majestic Theatre, Boston, am 12 November 2023

Rossini, La Cenerentola (Aschenputtel)

Boston Lyric Opera

David Angus, Musikalische Leitung

Dawn M Simmons, Regie

Jenna Lord, Bühnenbild

Trevor Bowen, Kostüme

Bailey Costa, Licht

Boston Lyric Opera Orchestra

Boston Lyric Opera Chorus

Cecelia Hall, Angelina (Cinderella)

Levy Sekgapane, Don Ramiro

Levi Hernandez, Dandini, valet to Ramiro

Brandon Cedel, Don Magnifico

Dana Lynne Varga, Clorinda

Alexis Peart, Tisbe

Philip Lima, Alidoro

Boston Lyric Opera’s Macbeth is hobbled by miscalculations

Kevin Wells, 10th October

David Angus leads a taut, spirited performance, but Steve Maler’s staging of Verdi's first Shakespearean opera raises many questions.

**111

Korngold’s Die tote Stadt, more alive than ever in Boston

Cameron Kelsall, 30th January

The composer's magnum opus, unjustly neglected in English-speaking countries, receives magnificent treatment from Andris Nelsons and the Boston Symphony Orchestra, anchored by David Butt Philip and Christine Goerke.

*****

Flawed staging, compelling singing: Eurydice at Boston Lyric Opera

Kevin Wells, 10th March

Conducting a reduced version of his own opera, Matthew Aucoin's Eurydice still packs a big punch.

***11

Harrowing intimacy: Boston Lyric Opera’s Bluebeard’s Castle

Kevin Wells, 26th March

Boston Lyric Opera decamps to a 1919 wharf shed for a production of Bartók's eerie two-hander, framed by four of Alma Mahler's songs.

****1

Merrily We Roll Puccini: Boston Lyric presents Bohème in reverse

Kevin Wells, 30th September

Yuval Sharon’s production of La bohème turns the opera upside down... with captivating consequences.

****1

Acustica rusticana: Boston Lyric’s first-rate Cavalleria hobbled

Kevin Wells, 3rd October

The white hot intensity and conviction of the duet between Santuzza and Turiddu encapsulated the strengths of this performance.

***11

Weitere Kritiken...

Kevin Wells

Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!

Beantown rags to riches: Boston Lyric Opera’s Cenerentola an unalloyed delight