Première after Première: BBC Singers at the Cheltenham Festival

Von Alexandra Hamilton-Ayres, 09 Juli 2012

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Cheltenham College Chapel, Cheltenham, am 5 Juli 2012

Wood, From the Pisan Cantos LXXXI (premiere)

Supponen, The Dodrecht Humaphone

Harvey, Marahi

Bingham, London Haiku (premiere)

Swayne, Magnificat

Tavener, Unto the End of the World (premiere)

Rautavaara, Mass (UK premiere)

Endymion

BBC Singers

David Hill, Musikalische Leitung

Oliver Lowe, Percussion

Blut wird fließen! Elektra bei den Proms

Charlotte Valori, 31st August

Wer braucht schon ein Bühnenbild? Eine glühende Elektra von Semyon Bychkov mit Solistin Christine Goerke erhellt die BBC Proms durch ihre schiere Energie.

*****

The BBC Singers at full throttle at Milton Court

Nick Boston, 26th February

Powerful Herbert Howells, together with affecting Shaw and engaging MacMillan from the BBC Singers, with the BBC Concert Orchestra conducted by Sofi Jeannin.

****1

UK premiere of Julia Wolfe’s unEarth impresses on scale, not substance

Susannah Moody, 23rd January

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.

**111

Ermonela Jaho gives a tragic twist to Puccini's La rondine

Peter Quantrill, 5th December

A new edition of Puccini's score springs to life in a meticulously prepared Opera Rara concert performance at the Barbican.

****1

ENO, BBC join forces in stunning Lady Macbeth of Mtsensk

Mark Valencia, 1st September

David Pountney's vernacular translation and Ruth Knight's vivid staging lent a thrilling immediacy to Shostakovich's chilling opera.

*****

BBC Symphony and Josep Pons at the Proms: a dextrous dance

Dominic Lowe, 8th August

A programme heavily skewed to the balletic saw the BBC Symphony Orchestra under Josep Pons dispatch difficult passages with ease.

****1

Weitere Kritiken...

Alexandra Hamilton-Ayres

Alexandra Hamilton-Ayres is a Bristol-based film composer and classical electronic artist. Alexandra's passion in scoring and as a performer lie in the duality between the classical and electronica worlds, moving picture and her love for the piano. Her music has been described by The White Room Magazine as “majestic, at times monumental…the force and vastness of nature”.