Rites of ecstasy: Dausgaard pairs knockout Scriabin and Stravinsky

Von Thomas May, 22 November 2019

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“a stirring, immersive account that inspired playing at the very highest level”

Rezensierte Veranstaltung: Benaroya Hall, S Mark Taper Auditorium, Seattle, am 21 November 2019

Skrjabin, Le poème de l'extase, Op.54

Strawinsky, Le Sacre du printemps

Thomas Dausgaard, Musikalische Leitung

Seattle Symphony

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Sasha Cooke’s thoughtful role debut anchors Paul Curran’s visually and musically alert but dramatically uneven production.

****1

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****1

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****1

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Barber and Bernstein shine in this program exploring sharply contrasting faces of 20th-century Romanticism under guest conductor Alevtina Ioffe.

****1

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****1

Morlot returns to lead Seattle Symphony’s season-closing showcase

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Two rhapsodies anchor a program that ranges from brass-driven bravura to Ravel’s iridescent orchestral color. Seattle Symphony closes its season with breadth, nuance and elegant command from emeritus Ludovic Morlot.

****1

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Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

Rites of ecstasy: Thomas Dausgaard pairs knockout scores by Scriabin and Stravinsky