Canadian Opera Company: A Masked Ball

Von Stanley Fefferman, 06 Februar 2014

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Four Seasons Centre for the Performing Arts, Toronto, am 5 Februar 2014

Verdi, Un ballo in maschera

Canadian Opera Company

Stephen Lord, Musikalische Leitung

Jossi Wieler, Regie

Barbara Ehnes, Bühnenbild

Adrianne Pieczonka, Amelia

Sergio Morabito, Regie

Simone Osborne, Oscar

Elena Manistina, Ulrica

Dimitri Pittas, Riccardo

Roland Wood, Renato

Lepage’s Bluebeard and Erwartung pairing remains compelling theatre

John Gilks, 25th April

Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.

*****

Canadian Opera Company’s Barber proves as fresh as ever

John Gilks, 5th February

The Barber is back in Toronto with an excellent cast, young and old, and it’s as lively, colourful and energetic as ever.

****1

Christopher Alden’s Rigoletto returns to Canadian Opera Company

Michelle Assay, 28th January

Christopher Alden’s Victorian-era Rigoletto still divides opinions, despite top-notch performances all around in this Toronto revival.

***11

Canadian Opera's Orfeo returns elegant, restrained and very satisfying

John Gilks, 9th October

The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre.

*****

Canadian Opera Company opens season with Roméo et Juliette

John Gilks, 27th September

Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.

***11

Eugene Onegin revival fails to find the magic spark in Toronto

John Gilks, 2nd May

Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic.

***11

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Stanley Fefferman

Stanley Fefferman is Professor Emeritus at York University, Toronto. He is active in classical, new music, and jazz circles as a writer and accredited performance photographer. His work is archived on Canadian sites The Live Music Report.com, Showtimemagazine.ca, and OpusOneReview.com. His website is here.

Pieczonka floods Canadian Opera Company's A Masked Ball with love and forgiveness