Fledermaus debuts at La Scala but misses some sparkle

Von Renato Verga, 22 Januar 2018

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 21 Januar 2018

Strauß Sohn, Die Fledermaus

Teatro alla Scala

Cornelius Meister, Musikalische Leitung

Cornelius Obonya, Regie

Heike Scheele, Bühnenbild, Kostüme

Peter Sonn, Gabriel von Eisenstein

Eva Mei, Rosalinde

Markus Werba, Dr Falke

Michael Kraus, Frank

Daniela Fally, Adele

Elena Maximova, Prinz Orlofsky

Giorgio Berrugi, Alfred

Krešimir Špicer, Dr. Blind

Paolo Rossi, Frosch

Carolin Pienkos, Regie

Heinz Spoerli, Choreographie

Alexander Scherpink, Video

Coro del Teatro alla Scala

Orchestra del Teatro alla Scala

Dancers of the Teatro alla Scala Ballet

Zwischen Symbolismus und Partyrealität: Salome an der Mailänder Scala

Rainer Zerbst, 20th February

Damiano Michieletto schafft eine Inszenierung, die den Betrachter auch nach Ende der Oper nicht ruhen lässt.

*****

Engel und Dämonen: Giovanna d'Arco an der Scala

David Karlin, 18th December

Verdis Fassung der Jeanne d'Arc-Geschichte mag dünn im Drama sein, doch herausragende musikalische Leistungen von Riccardo Chailly und dem Orcherster der Scala, Netrebko, Meli und Álvarez sorgen für einen wunderbaren Verdi-Abend.

****1

Nucci Respekt einflößend in düsterem Simon Boccanegra der La Scala

James Imam, 31st October

Nuccis Darstellung der Titelrolle in Simon Boccanegra stellte sicher, dass Verdis Drama hell erstrahlte.

****1

Romeo Castellucci directs a new Pelléas et Mélisande at La Scala

Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

****1

Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

****1

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

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Renato Verga

Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.