Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Lichtik

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München

4. Jan. 2021

Deutung und Bedeutung: Paradigma am Bayerischen Staatsballett

Von Rainer Zerbst

NDT2 in Kill Your Darlings by Imre and Marne van Opstal © Rahi Rezvani

Amsterdam

NDT2 I dreamt, it was: a dynamic double bill from the junior company

Von Mark Vicente, 28. Mai 2026

Superbly balanced double bill comprising Kill Your Darlings and SAABA which highlighted the talents of the young dancers of Nederlands Dans Theater 2.

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Amsterdam

28. Mai 2026

NDT2 I dreamt, it was: a dynamic double bill

Von Mark Vicente

Ici de Léo Lérus par le Ballet de l'Opéra national du Rhin © Agathe Poupeney

Lérus, Eyal et le Ballet de l'Opéra du Rhin en symbiose au Théâtre de la Ville

Von Julie Jozwiak, 4. Mai 2026

Ici de Léo Lérus et The Look de Sharon Eyal s'enchainent parfaitement et semblent comme deux facettes d'une même pièce, où l'affirmation de l'individu et le sens du collectif vont de pair.

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Paris

4. Mai 2026

Lérus, Eyal et le Ballet de l'Opéra du Rhin en symbiose

Von Julie Jozwiak

Sharon Eyal et Mats Ek au Palais Garnier, ou les dérives de l’amour

Von Laurine Mortha, 27. März 2025

Sharon Eyal inaugure la soirée avec la re-création d’OCD Love, puis l’Opéra de Paris rend hommage à l’inénarrable chorégraphe Mats Ek, qui fête ses 80 ans cette année, avec la reprise d’Appartement.

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Paris

27. März 2025

Sharon Eyal et Mats Ek à Garnier, ou les dérives de l’amour

Von Laurine Mortha

Autodance de Sharon Eyal par les Ballets de Monte-Carlo © Alice Blangero

Du mystère d'Eyal à la joie de Maillot : les Ballets de Monte-Carlo au Théâtre de Ville

Von Julie Jozwiak, 28. Februar 2025

Les Ballets de Monte-Carlo sont enfin de retour à Paris avec un programme contrasté : le fascinant Autodance de Sharon Eyal puis le ballet historique Vers un pays sage de Jean-Christophe Maillot.

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Paris

28. Feb. 2025

Les Ballets de Monte-Carlo, du mystère d'Eyal à la joie de Maillot

Von Julie Jozwiak

Matthew Knight and Théo Just in Sol León's Stars Like Moths © Carlos Quezada

Love, humour and drama at the Staatsballett Berlin

Von Vikki Jane Vile, 15. November 2024

Staatsballett Berlin continue its run of this popular double bill, 2 Chapters Love, named after Sharon Eyal’s work and a follow up to 2017’s to Love Chapter 2.

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Berlin

15. Nov. 2024

Love, humour and drama at the Staatsballett Berlin

Von Vikki Jane Vile

Flickers of human fragility: Staatsballett Berlin’s superb double bill

Von Katja Vaghi, 28. Oktober 2024

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

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Berlin

28. Okt. 2024

Flickers of human fragility: Staatsballett Berlin’s superb double bill

Von Katja Vaghi

Alexandre Joaquim and Michele Esposito in Christopher Wheeldon's Within the Golden Hour © Alice Blangero

Monaco

To the Point(e): Les Ballets de Monte-Carlo dazzle in a new triple bill

Von Deborah Weiss, 24. April 2024

Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

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Monaco

24. Apr. 2024

Les Ballets de Monte-Carlo dazzle in a new triple bill

Von Deborah Weiss

Nederlands Dans Theater in William Forsythe's N.N.N.N. © Rahi Rezvani

New York City

Nederlands Dans Theater: outstanding dancers but a gloomy program

Von Erin Bomboy, 4. April 2024

NDT delivered, yet the triple-bill program never elevated itself beyond atmosphere and gimmicks.

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New York City

4. Apr. 2024

Nederlands Dans Theater: outstanding dancers but a gloomy program

Von Erin Bomboy

GöteborgOperans Danskompani in Damien Jalet's Skid © Mats Bäcker

Sydney

Skid and Saaba: a thrilling free fall into the best of Swedish contemporary dance

Von Katie Lawrence, 24. Januar 2024

Swedish contemporary dance company GöteborgsOperans Danskompani pushes the audience off balance with a quirky, compelling, and innovative double bill.

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Sydney

24. Jan. 2024

Skid/Saaba: a thrilling free fall into contemporary dance

Von Katie Lawrence

Polina Semionova in Sol León's Stars Like Moths © Carlos Quezada

Beyond romanticism: love is not the answer but the question

Von Katja Vaghi, 9. Dezember 2023

2 Chapters Love or love is a verb: León / Eyal for the second world premiere of the Staatsballett Berlin's 2023/24 season.

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Berlin

9. Dez. 2023

Beyond romanticism: love is not the answer but the question

Von Katja Vaghi

Opera Ballet Vlaanderen in Richard Siegal's New Ballet mécanique © Filip Van Roe

Ghent

Opera Ballet Vlaanderen: a double bill that challenges the senses

Von Deborah Weiss, 24. Oktober 2023

This is a contrasting double bill – but don’t go expecting to leave the theatre humming the tunes.

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Ghent

24. Okt. 2023

Opera Ballet Vlaanderen: a double bill that challenges the senses

Von Deborah Weiss

Le Nederlands Dans Theater salue la réouverture du Théâtre de la Ville

Von Iris Régnier, 18. Oktober 2023

La compagnie néerlandaise impressionne, maîtrisant à la perfection la technique exigeante et physique du chorégraphe chinois Tao Ye comme la subtile virtuosité de la pièce de Sharon Eyal et Gai Behar.

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Paris

18. Okt. 2023

Le NDT salue la réouverture du Théâtre de la Ville

Von Iris Régnier

L-E-V Dance Company in Sharon Eyal and Gai Behar's Chapter 3: The Brutal Journey of the Heart © Stefan Dotter for Dior

Edinburgh

L-E-V Dance Company's Brutal Journey of the Heart is inconclusive

Von Kathy Elgin, 13. August 2023

The final part of Sharon Eyal and Gai Behar's trilogy about love, leaves the audience hanging.

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Edinburgh

13. Aug. 2023

L-E-V Dance Company's Brutal Journey of the Heart is inconclusive

Von Kathy Elgin

Ballett am Rhein in Christopher Wheeldon's Polyphonia © Bettina Stöß

Köln

Ballett am Rhein: engaging, intoxicating, emotive and not one plot!

Von Vikki Jane Vile, 25. Februar 2023

Ballett am Rhein offered three pieces with no narrative, but this triple bill has broad appeal across the full spectrum of ballet and dance.

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Köln

25. Feb. 2023

Ballett am Rhein: engaging, intoxicating, emotive and not one plot!

Von Vikki Jane Vile

Avec Shechter et Eyal, le Ballet de Göteborg envoûte La Villette

Von Iris Régnier, 7. Mai 2022

Les styles très différents de Hofesh Shechter et Sharon Eyal sont magnifiquement servis par la GöteborgsOperans Danskompani précise, virtuose et engagée, pour le plus grand bonheur du public.

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Paris

7. Mai 2022

Avec Shechter et Eyal, le Ballet de Göteborg envoûte La Villette

Von Iris Régnier

London

Industrial dances in Rambert2's Home and Killer Pig at Sadler's Wells

Von Graham Watts, 11. November 2021

The dancers show a lot of promise in a programme that lacks flair or variation.

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London

11. Nov. 2021

Industrial dances in Rambert2's Home and Killer Pig

Von Graham Watts

London

The Royal Ballet and Rambert present Aisha and Abhaya

Von Graham Watts, 23. Januar 2020

Fast-moving choreography, pulsating music and striking performances but blighted by some technical issues that need to be improved.

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London

23. Jan. 2020

The Royal Ballet and Rambert present Aisha and Abhaya

Von Graham Watts

“Somewhere, there is a rush of greatness”: Ekman and Eyal’s at the Staatsballett Berlin

Von Katja Vaghi, 8. Dezember 2019

Let's not split hairs: Alexander Ekman's Lib and Sharon Eyal's Strong flooded the opera with the Berlin young-and-hip art scene.

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Berlin

8. Dez. 2019

Ekman’s LIB and Eyal’s Strong at the Staatsballett Berlin

Von Katja Vaghi

Amsterdam

Timeless and uplifting: NDT1 dances Crystal Pite

Von Lambrecht Wessels, 2. April 2019

Nederlands Dans Theater 1’s new triple bill premieres Imre Van Opstal and Marne Van Opstal's Take Root alongside works by Sharon Eyal, Gai Behar and Crystal Pite.

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Amsterdam

2. Apr. 2019

Timeless and uplifting: NDT1 dances Crystal Pite

Von Lambrecht Wessels

The body matters: van Dijk, Eyal &Behar at Staatsballett Berlin

Von Katja Vaghi, 15. Februar 2019

Van Dijk | Eyal, is the Staatsballett's second programme of its newly acquired contemporary repertory: morphing bodies, subtly distorted, invite us to peak inside, exposing our most vulnerable sides.

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Berlin

15. Feb. 2019

The body matters: van Dijk, Eyal &Behar at Staatsballett Berlin

Von Katja Vaghi

Beyond contemporary Ballet: Stijn Celis, Sharon Eyal and Gai Behar open the Staatsballett Berlin's new season

Von Katja Vaghi, 7. September 2018

To reassure the sceptics, the break from tradition of Stijn Celis’ Your Passion is Pure Joy to Me, and Sharon Eyal’s and Gai Behar’s Half Life made for a great start to the Staatsballett Berlin’s new season.

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Berlin

7. Sept. 2018

Berlin: Beyond contemporary Ballet

Von Katja Vaghi

New York City

Falling for Dance All Over Again: City Center's Program V

Von Andrew Blackmore-Dobbyn, 10. Oktober 2015

The fifth program of City Center's 12th annual Fall for Dance Festival had something for everyone and it was all good.

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