Luminous decay from Imogen Cooper at Kings Place

Von Benjamin Poore, 29 Oktober 2018

Laden, bitte warten...

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“Cooper weaves the thread that charts the sonata’s labyrinth”

Rezensierte Veranstaltung: Kings Place: Hall One, London, am 28 Oktober 2018

Haydn, Klaviersonate C-Dur, Hob XVI:50

Adès, Darknesse visible

Beethoven, Klaviersonate Nr. 31 in As-Dur, Op.110

Schubert, Klaviersonate Nr. 19 in c-Moll, D958

Dame Imogen Cooper, Klavier

The dawn of a new era: Aurora Orchestra at Kings Place

Zoltán Szabó, 17th October

In our Covid-infested world, quality music making is still possible, as demonstrated by Imogen Cooper and her Aurora Orchestra friends.

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Stirring Mozart and Tchaikovsky from Gernon, Cooper and BBC Phil

Leighton Jones, 26th January

Ben Gernon conducted the BBC Philharmonic in Manchester’s Bridgewater Hall in colourful Stravinsky and soulful Tchaikovsky, while Cooper encapsulated this in Mozart.

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Heady Mozart and Strauss for dessert

Benjamin Poore, 31st December

Imogen Cooper shone in Aurora's serious and fulsome performances of Mozart.

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Exuberance dominates in Simone Young’s Bruckner

Zoltán Szabó, 18th August

Imogen Cooper joined the Sydney Symphony for a performance of Beethoven's Second Piano Concerto.

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Unwrapping Beethoven's Piano Trios at King's Place

Sebastian Scotney, 25th January

Kings Place's "Cello Unwrapped" series is a major, year-long celebration of the instrument. It consists of a no fewer than 51 events spread throughout the year, with everything from films to sessions on buying – and even making – instruments.

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Une grandiose neuvième symphonie de Bruckner par le BBC Scottish Symphony Orchestra

Julie Jozwiak, 25th September

Après un concerto pour piano de Mozart un peu décevant malgré l'interprétation très juste d'Imogen Cooper, le BBC Scottish Symphony Orchestra donne une lecture exaltante de la neuvième symphonie de Bruckner, sous la baguette de Thomas Dausgaard.

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Benjamin Poore

Benjamin Poore is a writer and critic. His book on psychoanalysis and literature is forthcoming in 2019. He has previously written about literature and culture for the Independent, the Times Literary Supplement, and Times Higher Education. In his spare time he tries to sing Schubert; he has a very patient teacher.