Jewels

Von Erin Whitcroft, 04 April 2017

Laden, bitte warten...

Veranstaltung anzeigen

“masterpieces are forged from choreographic invention and this is something Jewels has in abundance.”

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 1 April 2017

Emeralds (George Balanchine)

Rubies (George Balanchine)

Diamonds (George Balanchine)

The Royal Ballet

Pavel Sorokin, Musikalische Leitung

Covent Garden Orchester des Royal Opera House

Marianela Núñez, Tanz

Thiago Soares, Tanz

Sarah Lamb, Tanz

Steven McRae, Tanz

Anna Rose O'Sullivan, Tanz

James Hay, Tanz

Helen Crawford, Tanz

Laura Morera, Tanz

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

****1

Bachmann, Mahler, Goecke: Tanztraumpremiere am Wiener Staatsballett

Michael Klier, 14th November

Die vier Tänzerinnen und sieben Tänzer zittern, ihre Arme, Schultern und Hände kratzen, flattern und schluchzen in oft eckigem Gestus und doch sind alle Bewegungen im Fluss.

****1

Spitzengefühl und neoklassischer Ansatz

Katja Vaghi, 4th May

Die neue Premiere des Staatsballetts spannt einen Bogen über die neuere Tanzgeschichte des 20. und 21. Jahrhunderts.

****1

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 22nd May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

Carla Escoda, 13th May

Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet.

*****

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Weitere Kritiken...

Erin Whitcroft

Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.

Balanchine's Jewels brighten the Royal Opera House