Kátya Kabanová flies to Rome for the first time

Von Lorenzo Fiorito, 25 Januar 2022

Laden, bitte warten...

Veranstaltung anzeigen

“in the title role, American soprano Corinne Winters was outstanding”

Rezensierte Veranstaltung: Teatro Costanzi, Teatro dell'Opera, Rome, am 23 Januar 2022

Janáček, Kátja Kabanová

Teatro dell'Opera di Roma

David Robertson, Musikalische Leitung

Richard Jones, Regie

Antony McDonald, Bühnenbild, Kostüme

Lucy Carter, Licht

Corinne Winters, Kátja

Susan Bickley, Kabanicha

Charles Workman, Boris

Carolyn Sproule, Varvara

Sam Furness, Kudrjaš

Julian Hubbard, Tichon

Lukáš Zeman, Kuligin

Stephen Richardson, Dikoj

Coro del Teatro dell'Opera di Roma

Orchestra del Teatro dell'Opera di Roma

Handel’s Il trionfo del tempo e del disinganno returns to Rome

Pia Maltri, 7th April

Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707.

****1

Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

Pia Maltri, 1st March

In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.

****1

Abandon all hope: Lucia Ronchetti's Inferno receives Italian premiere

Pia Maltri, 19th February

The Italian premiere of Lucia Ronchetti’s Inferno at the Teatro dell’Opera di Roma uses Dante’s original verses, but her score fails to match their beauty.

***11

Livermore’s successful Bohème opens at the Teatro dell'Opera di Roma

Pia Maltri, 14th January

Originally staged at the Caracalla Baths in 2014, Davide Livermore’s production comes in from the cold.

****1

Wagner’s Lohengrin finally returns – swanless – to Rome

Pia Maltri, 27th November

Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.

***11

Peter Sellars directs Italian debut of Kaija Saariaho’s Adriana Mater

Pia Maltri, 11th October

This co-production, previously seen in San Francisco, is more of a semi-staging, convinces thanks to committed performances from a cast led by Fleur Barron.

****1

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Lorenzo Fiorito

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.